{"title":"Flora","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFlora\u003c\/strong\u003e is a collection of notebooks whose covers are illustrated with vintage botanical images, taken from old books and vintage educational materials.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"algae-journal-ernst-haeckel-1904-kunstformen-der-natur","title":"Algae Journal — Ernst Haeckel 1904 Kunstformen der Natur Pediastrum Caulerpa Art Nouveau","description":"\u003cp\u003e\u003cem\u003eA distinguished lined journal featuring Ernst Haeckel's stunning 1904 lithographs from Kunstformen der Natur — intricate green algae specimens rendered with the scientific precision and artistic flair that made Haeckel's work legendary, and that helped inspire the Art Nouveau movement across Europe.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe front cover features Plate 34 (Melethallia) from Kunstformen der Natur — a chromolithograph by Adolf Giltsch showing star-shaped colonial Pediastrum algae in intricate geometric formations. The back cover presents Plate 64 (Siphoneae) with Caulerpa, tube-shaped multi-nucleated green algae rendered with the microscopic precision that defined Haeckel's scientific illustration — published by the Bibliographisches Institut, Leipzig, 1904.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Hardcover journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003eWeight: 100 g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003cli\u003eNote: small production barcode (0.5\" × 0.5\") on back cover\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMarine biologists and phycology students\u003c\/li\u003e\n\u003cli\u003eArt Nouveau collectors and design enthusiasts\u003c\/li\u003e\n\u003cli\u003eMicroscopy lovers and scientific illustrators\u003c\/li\u003e\n\u003cli\u003eNature journaling and field observation notes\u003c\/li\u003e\n\u003cli\u003eFans of Victorian natural history and scientific illustration\u003c\/li\u003e\n\u003cli\u003eA distinctive gift for naturalists and science lovers\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eRead more about Haeckel's Kunstformen der Natur and Art Nouveau: \u003ca href=\"https:\/\/lebonjournal.com\/blogs\/new-old-time\/geometry-of-life-haeckel-kunstformen-der-natur-algae-art-nouveau\"\u003eThe Geometry of Life — Haeckel, Kunstformen der Natur \u0026amp; Art Nouveau\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":63614669128049,"sku":"27426814511446555393","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Haeckel_Algae_Journal_on_Natural_History_Studio_Desk_with_Microscope.webp?v=1778847233"},{"product_id":"morandi-botanical-hardcover-journal-historia-botanica-practica-1744-illustrations","title":"Gianbattista Morandi Botanical Illustrations Hardcover Journal — Historia Botanica Practica 1744","description":"\u003cp\u003e\u003cem\u003eIn 1744, the Italian botanist Gianbattista Morandi published Historia Botanica Practica in Milan — one of the most elegant works of Enlightenment-era botanical illustration, combining scientific rigour with the ornate visual language of 18th-century natural history publishing.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe front cover features Morandi's meticulously rendered floral plates: delicate botanical specimens — petals, leaves, and stems drawn with anatomical precision — framed by ornate borders in Prussian blue, the synthetic pigment that had transformed European painting and printmaking since its discovery in Berlin in 1704. The back cover presents additional specimens from the Historia Botanica in the same formal, symmetrical arrangement that characterised Italian botanical illustration of the period.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Hardcover journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003eWeight: 100 g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003cli\u003eNote: small production barcode (0.5\" × 0.5\") on back cover\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBotanists and horticulturists documenting plant specimens with historical reverence\u003c\/li\u003e\n\u003cli\u003eGardeners cultivating heirloom varieties and heritage gardens\u003c\/li\u003e\n\u003cli\u003eHerbalists recording medicinal plant properties and preparations\u003c\/li\u003e\n\u003cli\u003eArt historians and collectors of botanical illustration\u003c\/li\u003e\n\u003cli\u003eNature journalers who appreciate 18th-century natural history\u003c\/li\u003e\n\u003cli\u003eAn elegant gift for lovers of botanical art and Enlightenment-era science\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eRead more about Morandi and the art of practical botany: \u003ca href=\"https:\/\/lebonjournal.com\/blogs\/new-old-time\/the-art-of-practical-botany-when-science-was-beautiful-1\"\u003eThe Art of Practical Botany — When Science Was Beautiful\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":63619749052785,"sku":"29561455351914394757","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Morandi_1744_Botanical_Journal_Plant_Nursery_Lifestyle.webp?v=1779012995"},{"product_id":"fig-hardcover-journal-matte-notebook","title":"Fig Journal — Ehret 1750 Plantae Selectae \u0026 Macfarlane 1872 Ficus Carica Botanical Engraving","description":"\u003cp\u003e\u003cem\u003eIn 1750, Georg Dionysius Ehret engraved Plate 74 for Plantae Selectae — the monumental botanical work commissioned by the Nuremberg physician Christoph Jakob Trew — and titled it \"Fructificatio Ficus carica Linn.\" It is not a portrait of the fig. It is a dissection: 57 distinct segments showing flowers and fruits at every stage of development, each opened to reveal the hidden architecture of the syconium — the inverted floral structure that makes the fig one of the most botanically singular fruits in the Mediterranean world.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe front cover features J. Macfarlane's coloured zincograph of Ficus carica (circa 1872): a fruiting stem with whole and halved fruit revealing the honeyed syconium interior, framed by ornate Victorian botanical borders. 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In 1816, the Danish naturalist Søren Henrik Petersen captured the same tree in full landscape silhouette, in his Studies after Nature with Regard to Landscape Drawing — the oak as it appears to the walker who stops, looks up, and stays a while. Two centuries of botanical attention, held in a single wraparound cover.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe front cover features Pfleger's 1788 study of Quercus robur: blossoms, acorns, and bark rendered with Enlightenment rigour. 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Its scarlet cap, spotted with white, is the mushroom of fairy tales and folklore, of northern European forests and shamanic ritual, of a thousand illustrated stories. It is also, in the hands of a skilled botanical illustrator, one of the most beautiful subjects in the natural world.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eBoth the front and back covers reproduce illustrations of \u003cstrong\u003eAmanita muscaria (L.)\u003c\/strong\u003e and \u003cstrong\u003eAmanita muscaria (Linné)\u003c\/strong\u003e by \u003cstrong\u003eHans Walty\u003c\/strong\u003e (Swiss, 1868–1948), created between 1915 and 1945 — a Swiss botanical artist who documented the fungal flora of Switzerland and the Alpine region with scientific precision and quiet artistic authority. The scarlet pileus with its characteristic white warts, the sturdy white stipe, the delicate gills beneath the cap: all rendered with a fidelity to the living specimen that reflects direct observation, in the tradition of Swiss natural history illustration that had been documenting the Alpine flora and fauna since the Enlightenment.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover journal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 100 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMycologists and mushroom foragers documenting fungal species and field observations\u003c\/li\u003e\n\u003cli\u003eNature lovers and forest wanderers keeping field journals\u003c\/li\u003e\n\u003cli\u003eBotanical illustrators and natural history enthusiasts\u003c\/li\u003e\n\u003cli\u003eFolklore lovers drawn to the mythology of the fly agaric\u003c\/li\u003e\n\u003cli\u003eCollectors of vintage botanical illustration and mycological art\u003c\/li\u003e\n\u003cli\u003eThoughtful gift for anyone who finds enchantment in the hidden world of fungi\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eTo learn more about Hans Walty and the natural history of Amanita muscaria, read \u003ca href=\"https:\/\/lebonjournal.com\/blogs\/new-old-time\/hans-walty-amanita-muscaria-swiss-botanical-illustration\"\u003e\u003cstrong\u003eThe Scarlet Cap\u003c\/strong\u003e\u003c\/a\u003e on New Old Time.\u003c\/em\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62817131626865,"sku":"40524851024107344815","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Hans_Walty_Amanita_muscaria_journal_on_rustic_table.png?v=1776105971"},{"product_id":"lemon-journal-kohler-dorbigny-citrus-botanical-1887","title":"Lemon Journal — Köhler 1887 \u0026 d’Orbigny 1841 Citrus Botanical","description":"\u003cp\u003e\u003cem\u003eThe lemon arrived in Europe from Asia sometime in the first millennium, carried along the trade routes that connected the Mediterranean world to the civilisations of the East. 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Two national traditions, two centuries of botanical scholarship, united by the golden fruit of the Mediterranean.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover journal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 100 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBotanical illustration collectors and natural history enthusiasts\u003c\/li\u003e\n\u003cli\u003eGardeners and citrus growers keeping field and garden journals\u003c\/li\u003e\n\u003cli\u003eMediterranean food lovers and admirers of European natural history\u003c\/li\u003e\n\u003cli\u003eHome cooks and recipe collectors who appreciate beautiful stationery\u003c\/li\u003e\n\u003cli\u003eCollectors of 19th-century German and French botanical art\u003c\/li\u003e\n\u003cli\u003eThoughtful gift for anyone who finds beauty in the history of science and illustration\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eTo learn more about Köhler, d’Orbigny, and the two great traditions of 19th-century citrus illustration, read \u003ca href=\"https:\/\/lebonjournal.com\/blogs\/new-old-time\/kohler-dorbigny-citrus-botanical-illustration-lemon\"\u003e\u003cstrong\u003eThe Golden Fruit\u003c\/strong\u003e\u003c\/a\u003e on New Old Time.\u003c\/em\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62817131889009,"sku":"26319470889270106584","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/K_hler_d_Orbigny_lemon_journal_on_gingham_tablecloth_in_white_kitchen.png?v=1776106275"},{"product_id":"botanical-journal-tesoro-juventud-1913-plants-spices","title":"Botanical Journal — El Tesoro de la Juventud 1913 Plants \u0026 Spices","description":"\u003cp\u003e\u003cem\u003eOn the bookshelves of homes across Latin America and Spain, from the 1910s through the 1960s and beyond, there stood a set of volumes that occupied a particular place in the imagination of the children who grew up with them. El Tesoro de la Juventud — The Treasure of Youth — was not merely an encyclopedia. It was a world in miniature: a place where a child could learn about the stars and the oceans, about history and geography, about the animals of the savanna and the plants of the forest, all rendered in illustrations of such color and clarity that the natural world seemed to open itself to the curious reader like a door.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe front cover reproduces the plate \u003cstrong\u003e“Vegetales de Aprovechamiento Industrial”\u003c\/strong\u003e (Plants of Industrial Use) and the back cover \u003cstrong\u003e“Las Sabrosas y Aromáticas Especias”\u003c\/strong\u003e (The Delicious and Aromatic Spices) from \u003cstrong\u003eEl Tesoro de la Juventud\u003c\/strong\u003e — the iconic Spanish-language encyclopedia first published in 1913 by W.M. Jackson Inc., adapted from Arthur Mee’s British \u003cem\u003eChildren’s Encyclopaedia\u003c\/em\u003e and distributed across Latin America and Spain for decades. Each plant is identified by its common name in Spanish and its scientific name in Latin, each illustration detailed enough to allow identification in the field, in the tradition of popular botanical education that stretches back to the great herbals of the sixteenth century.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover journal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 100 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eForagers and herbalists documenting wild edible and medicinal plants\u003c\/li\u003e\n\u003cli\u003eGardeners keeping plant identification and harvest notes\u003c\/li\u003e\n\u003cli\u003eThose who grew up with El Tesoro de la Juventud and carry its curiosity forward\u003c\/li\u003e\n\u003cli\u003eBotanical enthusiasts and natural history collectors\u003c\/li\u003e\n\u003cli\u003eLatin American culture lovers and admirers of mid-century popular science illustration\u003c\/li\u003e\n\u003cli\u003eThoughtful gift for anyone who believes that knowing the names of things is a form of respect for them\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eTo learn more about El Tesoro de la Juventud and the tradition of popular botanical education in Latin America, read \u003ca href=\"https:\/\/lebonjournal.com\/blogs\/new-old-time\/el-tesoro-de-la-juventud-botanical-encyclopedia-latin-america\"\u003e\u003cstrong\u003eThe Encyclopedia That Taught a Continent to Know Its Plants\u003c\/strong\u003e\u003c\/a\u003e on New Old Time.\u003c\/em\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62817132085617,"sku":"67001129805313663502","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/El_Tesoro_de_la_Juventud_edible_plants_journal_in_naturalist_s_laboratory.png?v=1776106788"},{"product_id":"medicinal-flowers-journal-volkamer-1708-nurnbergische-hesperides","title":"Medicinal Flowers Journal — Volkamer 1708 Nürnbergische Hesperides","description":"\u003cp\u003e\u003cem\u003eIn Greek mythology, the Hesperides were the nymphs who tended a garden at the western edge of the world, where golden apples grew on trees guarded by a serpent that never slept. When the Nuremberg physician and botanist Johann Christoph Volkamer named his great botanical work the Nürnbergische Hesperides, he was making a claim: that his gardens in Nuremberg were, in their own way, a garden of the Hesperides — a place where rare and beautiful plants grew in abundance, tended with the knowledge of a man who understood that beauty and healing were inseparable.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoth covers reproduce \u003cstrong\u003emedicinal flower plates\u003c\/strong\u003e from \u003cstrong\u003eJohann Christoph Volkamer’s\u003c\/strong\u003e (1644–1720) \u003cstrong\u003eNürnbergische Hesperides\u003c\/strong\u003e (Nuremberg, 1708–1714) — one of the most celebrated botanical books of the eighteenth century, documented with hand-colored copper engravings produced by the finest engravers working in Germany at the time. Each plate renders the healing plants of Volkamer’s Nuremberg gardens with the botanical precision of a physician and the chromatic richness of the hand-coloring tradition at its height — the form of the leaves, the structure of the flower, the arrangement of petals and stamens, all captured in a technique that would not be surpassed until the development of chromolithography in the nineteenth century.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover journal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 100 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHerbalists and plant medicine practitioners drawn to the German botanical tradition\u003c\/li\u003e\n\u003cli\u003eApothecary enthusiasts and flower essence makers celebrating the Baroque healing garden\u003c\/li\u003e\n\u003cli\u003eBotanical garden lovers and medicinal plant growers keeping field and garden journals\u003c\/li\u003e\n\u003cli\u003eCollectors of early 18th-century German botanical illustration and rare book art\u003c\/li\u003e\n\u003cli\u003eVintage botanical art admirers drawn to the hand-colored copper engraving tradition\u003c\/li\u003e\n\u003cli\u003eThoughtful gift for anyone who finds beauty and healing in the medicinal plants of Baroque Europe\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eTo learn more about Johann Christoph Volkamer and the golden age of German botanical publishing, read \u003ca href=\"https:\/\/lebonjournal.com\/blogs\/new-old-time\/volkamer-nurnbergische-hesperides-german-botanical-publishing-1708\"\u003e\u003cstrong\u003eThe Garden of the Hesperides\u003c\/strong\u003e\u003c\/a\u003e on New Old Time.\u003c\/em\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62817134051697,"sku":"19148489910688073099","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Volkamer_1708_N_rnbergische_Hesperides_medicinal_flowers_journal_in_early_18th-century_German_apothecary_study.png?v=1776368402"},{"product_id":"robert-tyas-language-of-flowers-journal-1896","title":"Robert Tyas Floral Bouquets Journal — 1896 Language of Flowers Mosaic","description":"\u003cp\u003e\u003cem\u003eIn Victorian England, flowers were not merely decorative. They were a language — a system of symbolic communication so widely understood that a carefully composed bouquet could convey declarations of love, friendship, grief, or reproach that polite society would not permit to be spoken aloud. Robert Tyas codified this tradition with extraordinary elegance in his \u003cstrong\u003eThe Language of Flowers, or, Floral Emblems of Thoughts, Feelings, and Sentiments\u003c\/strong\u003e, first published in the 1840s and reaching its most beautifully illustrated form in the \u003cstrong\u003e1896 edition\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eBoth covers reproduce a mosaic of \u003cstrong\u003enine bouquet plates\u003c\/strong\u003e from that edition, each arrangement rendered with the chromatic richness and botanical precision characteristic of late Victorian publishing. The bouquets are distinct — different flowers, different palettes, different compositions — but together they form a harmonious whole: roses for love, forget-me-nots for remembrance, marigolds for grief, ivy for fidelity, each flower carrying its meaning within the larger pattern. The front cover features the full mosaic in warm, saturated Victorian colour; the back cover mirrors it, completing the wraparound garden.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover journal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 100 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGarden lovers and botanical art enthusiasts keeping a nature journal\u003c\/li\u003e\n\u003cli\u003eCollectors of Victorian illustrated books and floriographic tradition\u003c\/li\u003e\n\u003cli\u003ePoets and nature writers drawn to the symbolism of flowers\u003c\/li\u003e\n\u003cli\u003eBotanical illustrators looking for a journal with a kindred spirit\u003c\/li\u003e\n\u003cli\u003eAnyone who believes that flowers have always meant something more than decoration\u003c\/li\u003e\n\u003cli\u003eA beautiful gift for those who love the Victorian art of the bouquet\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eTo learn more about Robert Tyas and the Victorian language of flowers, read \u003ca href=\"https:\/\/lebonjournal.com\/blogs\/new-old-time\/robert-tyas-language-of-flowers-victorian-floral-symbolism-1896\"\u003e\u003cstrong\u003eThe Language of Flowers\u003c\/strong\u003e\u003c\/a\u003e on New Old Time.\u003c\/em\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62820424221041,"sku":"93448674092873386373","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Robert_Tyas_1896_floral_bouquets_journal_on_vintage_flower_shop.png?v=1776109082"},{"product_id":"flore-medicale-1814-turpin-oxalide-violette-journal","title":"Flore Médicale Journal — Turpin 1814 Oxalide \u0026 Violette Botanical Plates","description":"\u003cp\u003e\u003cem\u003eIn 1814, as Napoleon’s empire was drawing to a close, a group of French botanists and artists produced one of the most beautiful works of scientific illustration of the nineteenth century. The \u003cstrong\u003eFlore médicale\u003c\/strong\u003e, written by François-Pierre Chaumeton and Jean Louis Marie Poiret, documented the medicinal plants of France with a precision and artistry that has never been surpassed. Its illustrator, \u003cstrong\u003ePierre Jean François Turpin\u003c\/strong\u003e (1775–1840), understood that the best botanical illustration is not a diagram but a portrait — an attempt to capture the essential character of a living organism.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eBoth covers reproduce two of Turpin’s most exquisite plates from the 1814 edition. The front cover features \u003cstrong\u003ePlate 261 — Oxalide\u003c\/strong\u003e (\u003cem\u003eOxalis acetosella\u003c\/em\u003e, wood sorrel): delicate trifoliate leaves, small flowers, root system, and anatomical cross-sections rendered with the precision of a scientist and the eye of an artist. The back cover showcases \u003cstrong\u003ePlate 348 — Violette\u003c\/strong\u003e (\u003cem\u003eViola odorata\u003c\/em\u003e, sweet violet): heart-shaped leaves, distinctive purple blooms, and the complete plant anatomy — Napoleon’s personal emblem, the flower his supporters wore as a secret sign of loyalty during the Hundred Days.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover journal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 100 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBotanical art enthusiasts and collectors of French natural history illustration\u003c\/li\u003e\n\u003cli\u003eGarden keepers and herbalists who appreciate the medicinal plant tradition\u003c\/li\u003e\n\u003cli\u003eLovers of Napoleonic-era French science and publishing\u003c\/li\u003e\n\u003cli\u003eNature writers and botanical sketchers looking for a journal with depth\u003c\/li\u003e\n\u003cli\u003eAnyone drawn to the intersection of scientific rigour and artistic beauty\u003c\/li\u003e\n\u003cli\u003eA thoughtful gift for those who love clovers, violets, and the history of plants\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eTo learn more about Turpin and the Flore médicale, read \u003ca href=\"https:\/\/lebonjournal.com\/blogs\/new-old-time\/flore-medicale-1814-turpin-french-botanical-illustration-oxalide-violette\"\u003e\u003cstrong\u003eFlore Médicale 1814\u003c\/strong\u003e\u003c\/a\u003e on New Old Time.\u003c\/em\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62820424515953,"sku":"46012812332356677996","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Flore_m_dicale_1814_journal_on_wooden_counter_in_French_herboristerie.png?v=1776109323"},{"product_id":"aldrovandi-turnips-radish-journal-renaissance-piante-fiori-frutti","title":"Ulisse Aldrovandi Turnips \u0026 Radish Journal — Renaissance Piante Fiori Frutti 16th Century","description":"\u003cp\u003e\u003cem\u003eIn the sixteenth century, a group of Italian naturalists did something that had never been done before: they looked at plants with the combined eyes of a scientist and an artist, and they drew exactly what they saw. Not the simplified diagrams of the medieval herbals, not copies of ancient authority — but the actual plants growing in their gardens, observed with a precision and a curiosity that was entirely new. \u003cstrong\u003eUlisse Aldrovandi\u003c\/strong\u003e (1522–1605), professor of natural history at the University of Bologna and founder of one of Europe’s first botanical gardens, was the greatest of them.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eBoth covers reproduce illustrations from Aldrovandi’s manuscript \u003cstrong\u003ePiante Fiori Frutti\u003c\/strong\u003e, drawn by the artists he employed to document his collection from life. The front cover features a \u003cstrong\u003eradish\u003c\/strong\u003e (\u003cem\u003eRaphanus sativus\u003c\/em\u003e) — its bulbous root in white and purple tones, leaves rendered with botanical precision, complete with root system and characteristic form. The back cover showcases a \u003cstrong\u003elong turnip\u003c\/strong\u003e (\u003cem\u003eBrassica rapa\u003c\/em\u003e) with its leafy greens, illustrated with the same careful attention. Both plants are presented against a fresh green background that honours the original Renaissance drawings. They are not decorative images — they are scientific documents, made by someone who believed that even the most common garden vegetable deserved to be observed and recorded with the same care as the rarest exotic specimen.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover journal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 100 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVegetable gardeners and botanical art enthusiasts keeping a garden journal\u003c\/li\u003e\n\u003cli\u003eRenaissance history lovers and natural science collectors\u003c\/li\u003e\n\u003cli\u003eHeirloom vegetable growers and farmers market devotees\u003c\/li\u003e\n\u003cli\u003eBotanical illustrators and nature writers drawn to the history of observation\u003c\/li\u003e\n\u003cli\u003eAnyone who believes the common turnip deserves as much attention as the rarest orchid\u003c\/li\u003e\n\u003cli\u003eA unique gift for those who love garden vegetables, history, and beautiful books\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eTo learn more about Aldrovandi and the Renaissance invention of botanical science, read \u003ca href=\"https:\/\/lebonjournal.com\/blogs\/new-old-time\/ulisse-aldrovandi-renaissance-botanical-science-piante-fiori-frutti\"\u003e\u003cstrong\u003eUlisse Aldrovandi and the Renaissance Invention of Botanical Science\u003c\/strong\u003e\u003c\/a\u003e on New Old Time.\u003c\/em\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62820429988209,"sku":"16295936499027402747","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Ulisse_Aldrovandi_Renaissance_botanical_journal_on_Victorian_greenhouse.png?v=1776109527"},{"product_id":"jacob-sturm-botanical-plate-xxvi-journal-1887-poppies-roses-wildflowers","title":"Jacob Sturm Botanical Plate XXVI Journal — 1887 Poppies, Roses \u0026 Wildflowers","description":"\u003cp\u003e\u003cem\u003eIn 1887, as botanical education flourished across German-speaking Europe, Jacob Sturm’s \u003cstrong\u003eNaturgeschichte des Pflanzenreichs\u003c\/strong\u003e brought to students and nature lovers something that no single-species illustration could offer: the comparative plate — multiple related species arranged together on a single page, their similarities and differences visible at a glance. It was the visual expression of the natural system of classification, the conviction that plants were best understood not in isolation but in relation to their botanical family. \u003cstrong\u003ePlate XXVI\u003c\/strong\u003e is one of the finest examples of this tradition.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eBoth covers reproduce Plate XXVI in full, bringing together \u003cstrong\u003eeleven species\u003c\/strong\u003e from two of the most important families of European flora. From the \u003cstrong\u003eRosaceae\u003c\/strong\u003e: \u003cem\u003eFragaria vesca\u003c\/em\u003e (wild strawberry), \u003cem\u003eRubus fruticosus\u003c\/em\u003e (blackberry), \u003cem\u003ePotentilla anserina\u003c\/em\u003e (silverweed), \u003cem\u003eDryas octopetala\u003c\/em\u003e (mountain avens), \u003cem\u003eRosa canina\u003c\/em\u003e (dog rose) — the wild rose of European hedgerows, soft pink and quietly beautiful — and \u003cem\u003eGeum urbanum\u003c\/em\u003e (wood avens). From the \u003cstrong\u003ePapaveraceae\u003c\/strong\u003e: \u003cem\u003ePapaver rhoeas\u003c\/em\u003e (common red poppy), the flower of agricultural fields and, since the First World War, of remembrance; \u003cem\u003ePapaver somniferum\u003c\/em\u003e (opium poppy) in elegant purples and whites; \u003cem\u003eChelidonium majus\u003c\/em\u003e (greater celandine); \u003cem\u003eTormentilla erecta\u003c\/em\u003e (tormentil); and \u003cem\u003eCapparis spinosa\u003c\/em\u003e (caper). Together, a portrait of European wildflower diversity from the alpine to the Mediterranean.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover journal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 100 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWildflower enthusiasts and botanical art lovers keeping a nature journal\u003c\/li\u003e\n\u003cli\u003eAdmirers of the German natural history illustration tradition\u003c\/li\u003e\n\u003cli\u003ePoppy and rose lovers drawn to the history and symbolism of these flowers\u003c\/li\u003e\n\u003cli\u003eGarden journalers, field botanists, and nature observers\u003c\/li\u003e\n\u003cli\u003eAnyone who appreciates the beauty of 19th-century comparative botanical plates\u003c\/li\u003e\n\u003cli\u003eA beautiful gift for those who love European wildflowers and botanical history\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eTo learn more about Jacob Sturm and the German tradition of botanical education, read \u003ca href=\"https:\/\/lebonjournal.com\/blogs\/new-old-time\/jacob-sturm-naturgeschichte-pflanzenreichs-1887-botanical-education\"\u003e\u003cstrong\u003eJacob Sturm and the German Tradition of Botanical Education\u003c\/strong\u003e\u003c\/a\u003e on New Old Time.\u003c\/em\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62820436377969,"sku":"16084814003697633624","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Jacob_Sturm_1887_Botanical_Plate_XXVI_journal.png?v=1778411599"},{"product_id":"strawberry-plant-hardcover-journal-matte-botanical-notebook","title":"USDA Strawberry Journal — Arnold \u0026 Lower 1910–1912 Watercolor","description":"\u003cp\u003e\u003cem\u003eIn the early twentieth century, the United States Department of Agriculture commissioned a corps of botanical artists — most of them women — to paint every significant fruit variety in American cultivation. The result was the USDA Pomological Watercolor Collection: over 7,000 illustrations created between 1886 and 1942, a visual archive of varieties that have since largely disappeared from our gardens and markets.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThis journal carries two of those paintings. The front cover features Mary Daisy Arnold’s 1912 watercolor of \u003cstrong\u003eFragaria: Nanticoke\u003c\/strong\u003e — a luminous depiction of the Nanticoke strawberry, rendered with the precision of a scientist and the eye of a painter. The back cover showcases Elsie E. Lower’s 1910 illustration of \u003cstrong\u003eFragaria: Pink Tea\u003c\/strong\u003e — a more delicate variety, its pale berries captured with careful attention to color and form. Both artists worked for the USDA Division of Pomology; both contributed hundreds of paintings to a collection that preserved, in watercolor, what agriculture was quietly losing.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: Hardcover journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003eWeight: 100 g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003cli\u003eFront cover: Mary Daisy Arnold, \u003cem\u003eFragaria: Nanticoke\u003c\/em\u003e (1912)\u003c\/li\u003e\n\u003cli\u003eBack cover: Elsie E. Lower, \u003cem\u003eFragaria: Pink Tea\u003c\/em\u003e (1910)\u003c\/li\u003e\n\u003cli\u003eSource: USDA Pomological Watercolor Collection (1886–1942)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePerfect For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eStrawberry growers and botanical art enthusiasts\u003c\/li\u003e\n\u003cli\u003eFruit lovers and berry gardeners\u003c\/li\u003e\n\u003cli\u003eAgricultural history collectors and USDA illustration fans\u003c\/li\u003e\n\u003cli\u003eHeirloom variety gardeners and pomology enthusiasts\u003c\/li\u003e\n\u003cli\u003eAnyone who appreciates early 20th-century American botanical watercolors\u003c\/li\u003e\n\u003cli\u003eA beautiful gift for those who love strawberries and garden history\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eThe Story Behind the Art\u003c\/h3\u003e\n\u003cp\u003eThe women who painted these strawberries, the varieties they documented, and the extraordinary USDA project that brought them together — \u003ca href=\"\/blogs\/new-old-time\/usda-pomological-watercolor-collection-arnold-lower-strawberry\"\u003eread the full story on our blog →\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62820436836721,"sku":"90648032263807942616","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/USDA_strawberry_botanical_journal_on_farmhouse_kitchen_table.png?v=1776175483"},{"product_id":"medicinal-plants-hardcover-journal-botanical-herb-notebook","title":"Botanical Journal — Titford 1811 Hortus Botanicus Americanus Medicinal Plants","description":"\u003cp\u003e\u003cem\u003eA hardcover lined journal featuring two hand-colored botanical plates from William Jowit Titford's 1811 Sketches towards a Hortus Botanicus Americanus — Plate 15 with nineteen medicinal and ornamental species from the Americas, and Plate 7 with nine plants of global significance including cinnamon, moringa, and scarlet amaryllis.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe front cover features Plate 15 from Titford's Hortus Botanicus Americanus — a hand-colored composition of nineteen species including Arum triphyllum (jack-in-the-pulpit), Ipomoea quamoclit (cypress vine), Vinca, and Hibiscus, representing the botanical wealth of the West Indies and the Americas. The back cover presents Plate 7 with nine plants of medicinal and economic significance: Asclepias curassavica (tropical milkweed), Amaryllis coccinea (scarlet amaryllis), Laurus cinnamomum (cinnamon), and Guilandina moringa (moringa) — documented by British physician-naturalist William Jowit Titford according to the Linnaean classification system.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Hardcover journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003eWeight: 100 g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003cli\u003eNote: small production barcode (0.5\" × 0.5\") on back cover\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHerbalists and medicinal plant enthusiasts\u003c\/li\u003e\n\u003cli\u003eBotanical art lovers and natural history collectors\u003c\/li\u003e\n\u003cli\u003ePlant medicine practitioners and apothecary fans\u003c\/li\u003e\n\u003cli\u003eFans of early 19th-century botanical exploration\u003c\/li\u003e\n\u003cli\u003eBotanical illustration collectors\u003c\/li\u003e\n\u003cli\u003eA distinctive gift for naturalists and science lovers\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eRead more about Titford and the useful plants of the New World: \u003ca href=\"https:\/\/lebonjournal.com\/blogs\/new-old-time\/useful-plants-new-world-titford-hortus-botanicus-americanus\"\u003eUseful Plants of the New World — Titford \u0026amp; the Hortus Botanicus Americanus\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":63614651826545,"sku":"27511283413331536030","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Titford_1811_Botanical_Journal_on_Apothecary_Desk_with_Medicinal_Plants.webp?v=1778846230"},{"product_id":"botanical-melon-journal","title":"Elizabeth Blackwell Melon Journal — 1739 Curious Herbal Notebook","description":"\u003cp\u003e\u003cem\u003eIn the 1730s, when botanical illustration was dominated by men and a Scottish woman named Elizabeth Blackwell found herself in desperate circumstances, she did something remarkable: she taught herself to draw, engrave, and hand-color botanical plates with scientific precision. The result was \u003cstrong\u003eA Curious Herbal\u003c\/strong\u003e (1737–1739) — 500 illustrations of medicinal plants, every one drawn, engraved, and colored by her alone, created to pay her husband’s debts and secure his release from prison. It became one of the most important botanical works of the eighteenth century.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThis journal carries two plates from that extraordinary project. The front cover features Blackwell’s 1739 illustration \u003cstrong\u003eThe citrul or water-melon\u003c\/strong\u003e — the fruit, leaves, flowers, and vine rendered with the scientific accuracy and artistic grace that defined her work. The back cover presents her 1739 plate \u003cstrong\u003eMelon\u003c\/strong\u003e, depicted with the same meticulous attention to botanical detail. Both illustrations were drawn from life, engraved on copper, and hand-colored by Blackwell herself — a woman who mastered three distinct crafts in the service of a single, urgent purpose.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: Hardcover journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003eWeight: 100 g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003cli\u003eFront cover: Elizabeth Blackwell, \u003cem\u003eThe citrul or water-melon\u003c\/em\u003e (1739)\u003c\/li\u003e\n\u003cli\u003eBack cover: Elizabeth Blackwell, \u003cem\u003eMelon\u003c\/em\u003e (1739)\u003c\/li\u003e\n\u003cli\u003eSource: \u003cem\u003eA Curious Herbal\u003c\/em\u003e (1737–1739)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePerfect For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eGardeners and fruit enthusiasts\u003c\/li\u003e\n\u003cli\u003eBotanical art lovers and herbal medicine practitioners\u003c\/li\u003e\n\u003cli\u003eWomen’s history collectors and feminist art enthusiasts\u003c\/li\u003e\n\u003cli\u003e18th-century illustration fans and medical history collectors\u003c\/li\u003e\n\u003cli\u003eAnyone who appreciates Elizabeth Blackwell’s pioneering work\u003c\/li\u003e\n\u003cli\u003eA beautiful gift for those who love botanical herbals and women in science\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eThe Story Behind the Illustrations\u003c\/h3\u003e\n\u003cp\u003eThe woman who drew, engraved, and colored these plates by herself — and why her herbal became one of the most important botanical works of the 18th century — \u003ca href=\"\/blogs\/new-old-time\/elizabeth-blackwell-and-the-making-of-a-curious-herbal-1739\"\u003eread the full story on our blog →\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62825784672625,"sku":"11251736062889496154","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Elizabeth_Blackwell_1739_Curious_Herbal_melon_journal.png?v=1776176051"},{"product_id":"coffee-plant-hardcover-journal-botanical-hardcover-notebook-for-coffee-lovers","title":"Coffee Plant Botanical Journal — 1774 \u0026 1840 Historical Coffee Illustrations Notebook","description":"\u003cp\u003e\u003cem\u003eThere are perhaps a dozen plants that have genuinely changed the course of human history. Coffee is one of them. In 1774, the botanical illustrator J. Miller engraved \u003cstrong\u003eCoffea arabica\u003c\/strong\u003e with the precision and elegance that defined Enlightenment scientific illustration — the glossy leaves, the clusters of white flowers, the developing and ripe coffee berries, the cross-section of the fruit showing the two seeds within. Sixty-six years later, in 1840, John Ellis documented the same plant in his \u003cstrong\u003eHistorical Account of Coffee\u003c\/strong\u003e, tracing its journey from Arabian curiosity to global commodity: the processing methods, the commercial grades, the geographical spread of cultivation across the tropical world. Two moments in the long history of coffee’s documentation, separated by sixty-six years and united by the same extraordinary plant.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThis journal carries Miller’s 1774 engraving on the front cover and Ellis’s 1840 lithograph on the back. They are images that reward sustained attention — that reveal more the longer you study them, that repay close looking with an ever-deeper appreciation of the plant that fuels the world. The coffee house of the Enlightenment — where ideas were exchanged, newspapers read, and the public sphere constituted — ran on this plant. So, perhaps, does your best thinking.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: Hardcover journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003eWeight: 100 g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003cli\u003eFront cover: J. Miller, \u003cem\u003eCoffea arabica\u003c\/em\u003e botanical engraving (1774)\u003c\/li\u003e\n\u003cli\u003eBack cover: John Ellis, \u003cem\u003eHistorical Account of Coffee\u003c\/em\u003e lithograph (1840)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePerfect For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCoffee enthusiasts and specialty coffee lovers\u003c\/li\u003e\n\u003cli\u003eBaristas, roasters and café owners\u003c\/li\u003e\n\u003cli\u003eBotanical illustration collectors\u003c\/li\u003e\n\u003cli\u003eTasting notes and brewing journals\u003c\/li\u003e\n\u003cli\u003eAnyone who appreciates 18th and 19th-century scientific illustration\u003c\/li\u003e\n\u003cli\u003eA beautiful gift for those who find inspiration in every cup\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eThe Story Behind the Illustrations\u003c\/h3\u003e\n\u003cp\u003eThe Enlightenment botanist who engraved the coffee plant, the economic botanist who traced its global journey, and the coffee house as the birthplace of modern ideas — \u003ca href=\"\/blogs\/new-old-time\/miller-1774-ellis-1840-coffee-plant-botanical-illustration-coffea-arabica\"\u003eread the full story on our blog →\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62825808789873,"sku":"25406140276716774850","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Coffee_plant_botanical_journal_on_wooden_counter_in_specialty_coffee_shop.png?v=1776177600"},{"product_id":"anemone-floral-journal","title":"Arentina Arendsen Botanical Journal — 1872-1881 Dutch Floral Watercolors Notebook","description":"\u003cp\u003e\u003cem\u003eThere is a particular quality of light in the finest Dutch botanical watercolours — a luminosity that seems to come from within the flower itself rather than from any external source, as if the painter had found a way to capture not just the appearance of the petal but its translucency. Between 1872 and 1881, Arentina Hendrica Arendsen (1836–1915) achieved exactly this: her watercolours of garden flowers and exotic species document the natural world with the scientific precision of a naturalist and the sensitivity of an artist, working in a tradition that stretched back to Jan van Huysum and Rachel Ruysch but in the service of something new — the botanical documentation of species that European science was still learning to name and classify.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe front cover carries her \u003cem\u003eAnemone stellata\u003c\/em\u003e — the star anemone of the Mediterranean basin, rendered in the soft, luminous washes of colour layered with meticulous botanical detail that are her signature. The back cover presents two South African species: \u003cem\u003eAnomatheca cruenta\u003c\/em\u003e (now \u003cem\u003eFreesia laxa\u003c\/em\u003e), its blood-red flowers glowing with an almost translucent intensity, and \u003cem\u003eVieusseuxia pavonia\u003c\/em\u003e (now \u003cem\u003eMoraea villosa\u003c\/em\u003e), the peacock moraea, with its jewel-like markings and extraordinary complexity of colour. Together they carry nearly 150 years of Dutch botanical artistry in a single full-wrap watercolour cover.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: Hardcover journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003eWeight: 100 g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003cli\u003eFront cover: Arentina Arendsen, \u003cem\u003eAnemone stellata\u003c\/em\u003e (c.1872–1881)\u003c\/li\u003e\n\u003cli\u003eBack cover: Arentina Arendsen, \u003cem\u003eAnomatheca cruenta\u003c\/em\u003e \u0026amp; \u003cem\u003eVieusseuxia pavonia\u003c\/em\u003e (c.1872–1881)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePerfect For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBotanical art collectors and watercolour enthusiasts\u003c\/li\u003e\n\u003cli\u003eGardeners and horticulture enthusiasts drawn to anemones and South African species\u003c\/li\u003e\n\u003cli\u003eAdmirers of the Dutch botanical illustration tradition\u003c\/li\u003e\n\u003cli\u003eLovers of Dutch heritage and Victorian botanical art\u003c\/li\u003e\n\u003cli\u003eAnyone who finds poetry in petals and inspiration in the quiet precision of 19th-century illustration\u003c\/li\u003e\n\u003cli\u003eA beautiful gift for botanical artists, watercolour painters, and nature lovers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eThe Story Behind the Watercolours\u003c\/h3\u003e\n\u003cp\u003eThe luminous technique Arendsen inherited from the Dutch Golden Age, the Mediterranean anemone and the South African species that found their way into the Victorian garden, and the tradition of botanical watercolour that made these images possible — \u003ca href=\"\/blogs\/new-old-time\/arentina-arendsen-1872-1881-dutch-botanical-watercolour-anemone-stellata\"\u003eread the full story on our blog →\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62829709918577,"sku":"19556232264950731793","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/arendsen-botanical-journal-vintage-greenhouse.png?v=1774723461"},{"product_id":"iris-sibirica-botanical-journal","title":"Arnold Dodel-Port Iris Sibirica Journal — 1892 Swiss Botanical Plates Notebook","description":"\u003cp\u003e\u003cem\u003eIn 1892, the Swiss botanist Arnold Dodel-Port published his \u003cstrong\u003eAnatomisch-Physiologischer Atlas der Botanik\u003c\/strong\u003e from the University of Zurich — one of the nineteenth century’s most extraordinary works of scientific illustration. Among its most celebrated plates were two chromolithographs documenting \u003cem\u003eIris sibirica\u003c\/em\u003e, the Siberian iris, with a dual ambition that no botanical publication had attempted so completely before: to show the plant from the visible beauty of its violet-blue flower to the invisible precision of its cellular anatomy, in a single pedagogical document designed for the university lecture hall. The first plate presents the iris in its full botanical complexity — flower, stem, leaf, and root system, each structure labelled with the clarity of a master teacher. The second extends the documentation into the microscopic: cross-sections, cellular structures, stages of pollen development, the inner architecture of the iris revealed with the authority of a Zurich laboratory.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDodel-Port worked in collaboration with his wife Carolina Dodel-Port, whose contribution as botanical illustrator and scientific collaborator was essential to the atlas’s success. Together they produced an atlas that was adopted by botany departments across Europe — in Germany, Austria, the Netherlands, and beyond — as the standard visual reference for the teaching of plant anatomy and physiology. The chromolithographic technique they used was, by 1892, at the height of its development: capable of rendering the fine detail of microscopic structures with a precision that no earlier printing technique could match, and of combining scientific accuracy with visual beauty in a manner that made the invisible architecture of plant life genuinely compelling to look at.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: Hardcover journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003eWeight: 100 g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003cli\u003eFront cover: Arnold Dodel-Port, \u003cem\u003eIris sibirica\u003c\/em\u003e, Plate 1 (1892) — chromolithograph\u003c\/li\u003e\n\u003cli\u003eBack cover: Arnold Dodel-Port, \u003cem\u003eIris sibirica\u003c\/em\u003e, Plate 2 (1892) — chromolithograph\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePerfect For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBotanists, plant anatomy students, and natural history enthusiasts\u003c\/li\u003e\n\u003cli\u003eIris enthusiasts and perennial gardeners\u003c\/li\u003e\n\u003cli\u003eCollectors of 19th-century scientific illustration and chromolithographic atlases\u003c\/li\u003e\n\u003cli\u003eAdmirers of Swiss botanical science and the University of Zurich tradition\u003c\/li\u003e\n\u003cli\u003eAnyone who appreciates the intersection of scientific rigour and visual beauty\u003c\/li\u003e\n\u003cli\u003eA beautiful gift for botanists, nature journalers, and botanical sketchers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eThe Story Behind the Plates\u003c\/h3\u003e\n\u003cp\u003eThe chromolithographic revolution that made this atlas possible, the pedagogical vision of Arnold and Carolina Dodel-Port, and why the Siberian iris became the subject of one of the nineteenth century’s most ambitious works of botanical illustration — \u003ca href=\"\/blogs\/new-old-time\/arnold-dodel-port-1892-iris-sibirica-anatomisch-physiologischer-atlas-botanik\"\u003eread the full story on our blog →\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62831912059249,"sku":"25230091520157380160","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Arnold_Dodel-Port_Iris_Sibirica_Journal_on_Oak_Laboratory_Desk.png?v=1778533377"},{"product_id":"marigold-illustration-hardcover-journal-floral-matte-notebook-for-writing-gifts","title":"Emanuel Sweert Marigold Journal — 1612 Frankfurt Florilegium Catalogue Notebook","description":"\u003cp\u003e\u003cem\u003eThe Frankfurt Book Fair of 1612 was one of the great commercial events of the European year — a gathering of printers, publishers, and merchants from across the continent. But among the books that filled the stalls that year, there appeared something unusual: a catalogue of flowers. Emanuel Sweert, a Dutch plant merchant who had served as keeper of the imperial gardens for Rudolf II in Prague, had brought to Frankfurt an illustrated catalogue of the exotic plants he had for sale — tulips and hyacinths, anemones and fritillaries, and, among them, the marigolds that appear on the cover of this journal. The \u003cstrong\u003eFlorilegium\u003c\/strong\u003e that Sweert published at the fair was one of the first illustrated plant catalogues in the history of botany: a work that combined scientific documentation with commercial enterprise at the extraordinary moment when the passion for exotic flowers was beginning to transform the economies and cultures of northern Europe.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe marigolds Sweert documented — \u003cem\u003eTagetes erecta\u003c\/em\u003e and its relatives, brought to Europe from the Americas in the sixteenth century — are among the most vivid plants in his catalogue. Their golden and orange flowers, their extraordinary productivity, their pungent scent noted by every herbalist of the period: all rendered by Johann Theodor de Bry with the engraving precision of the finest Frankfurt workshop. The front cover carries those marigold plates; the back cover continues the florilegium — a wraparound garden of Renaissance botanical commerce, documented four centuries ago and preserved here for you.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: Hardcover journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding — flexible and lay-flat\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.75 × 8 inches\u003c\/li\u003e\n\u003cli\u003eWeight: 100 g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003cli\u003eIllustration: Emanuel Sweert, \u003cem\u003eFlorilegium\u003c\/em\u003e (1612), engraved by Johann Theodor de Bry — Frankfurt\u003c\/li\u003e\n\u003cli\u003eAfrican marigolds, \u003cem\u003eTagetes erecta\u003c\/em\u003e — Renaissance botanical commerce\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePerfect For\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMarigold enthusiasts and gardeners\u003c\/li\u003e\n\u003cli\u003eRenaissance art and botanical history lovers\u003c\/li\u003e\n\u003cli\u003eFlorilegium and early plant catalogue collectors\u003c\/li\u003e\n\u003cli\u003eGarden journaling and plant observation notes\u003c\/li\u003e\n\u003cli\u003eLovers of Dutch Golden Age art and botanical commerce\u003c\/li\u003e\n\u003cli\u003eA beautiful gift for gardeners and nature lovers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eThe Story Behind the Plates\u003c\/h3\u003e\n\u003cp\u003eThe Frankfurt Fair of 1612, Rudolf II’s imperial gardens in Prague, and how the marigold travelled from Mexico to the heart of the European garden — \u003ca href=\"\/blogs\/new-old-time\/emanuel-sweert-1612-florilegium-frankfurt-fair-marigold-botanical-engravings\"\u003eread the full story on our blog →\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62832114368881,"sku":"21248032967426802341","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Emanuel_Sweert_1612_marigold_journal.png?v=1776178708"},{"product_id":"fruits-by-adolphe-millot-hardcover-journal-larousse-encyclopedia-botanical-notebook","title":"Adolphe Millot Fruits Journal — 1898 \u0026 1900 Larousse Encyclopedia Plates Notebook","description":"\u003cp\u003e\u003cem\u003eWhere botanical artistry meets the written word—a journal that transforms everyday notes into a celebration of nature's abundance.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eA premium lined journal featuring Adolphe Millot's exquisite botanical plates from the 1898 and 1900 Larousse encyclopedias. Museum-quality illustrations of over 50 fruit and vegetable varieties grace the cover—from heirloom apples and jewel-toned berries to heritage tomatoes and exotic specimens.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e150 perforated lined pages for easy removal\u003c\/li\u003e\n\u003cli\u003ePremium paper suitable for fountain pens and pencils\u003c\/li\u003e\n\u003cli\u003eDurable hardcover with vintage French botanical artwork\u003c\/li\u003e\n\u003cli\u003eCompact format ideal for daily journaling and note-taking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGarden planning and horticultural notes\u003c\/li\u003e\n\u003cli\u003eRecipe development and culinary journals\u003c\/li\u003e\n\u003cli\u003eThoughtful gifts for botanical art enthusiasts\u003c\/li\u003e\n\u003cli\u003eCollectors of French heritage design\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003eAbout the Artist\u003c\/strong\u003e\u003cbr\u003e\nAdolphe Millot (1857–1921) was a celebrated French naturalist painter and entomologist whose detailed scientific illustrations appeared in prestigious publications including Larousse encyclopedias and Le Petit Journal.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eMore than a notebook—a timeless companion for those who find beauty in both nature and the art of thoughtful writing.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEU representative:\u003c\/strong\u003e HONSON VENTURES LIMITED, gpsr@honsonventures.com, 3, Gnaftis House flat 102, Limassol, Mesa Geitonia, 4003, CY\u003cbr\u003e\n\u003cstrong\u003eProduct information:\u003c\/strong\u003e Generic brand, 2 year warranty in EU and Northern Ireland as per Directive 1999\/44\/EC\u003cbr\u003e\n\u003cstrong\u003eCare instructions:\u003c\/strong\u003e Use a soft, clean and dry cloth to gently brush any dust or dirt off from the center of book outwards.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62832118727025,"sku":"15646165613034418398","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/adolphe-millot-fruits-larousse-journal-cover.jpg?v=1769707377"},{"product_id":"hyacinth-botanical-hardcover-journal-vintage-1641-de-bry-illustration","title":"Johann Theodor de Bry Hyacinth Journal — 1611 Florilegium Novum Notebook","description":"\u003cp\u003e\u003cem\u003eIn 1611, Johann Theodor de Bry published the Florilegium Novum in Frankfurt — one of the earliest and most beautiful floral pattern books ever produced, born at the intersection of the copper-plate engraving tradition his father Theodor had made famous and the new botanical enthusiasm sweeping Northern Europe. The exotic bulbs arriving from the Ottoman Empire were transforming European gardens, and the de Bry family — Frankfurt’s greatest publishing dynasty — captured their fragrant beauty with a precision and decorative elegance that has never been surpassed.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe front cover features Plate 57 from the Florilegium Novum — Hyacinthus orientalis maior flore caeruleo and Hyacin. Orien. flore albo, the great blue Oriental hyacinth and its white companion, framed by the decorative dark border characteristic of early 17th-century Frankfurt publishing, rendered with the meticulous copper-plate precision of the de Bry family tradition. The back cover features Plate 58 — a companion plate documenting further varieties of the Oriental hyacinth with the same engraving mastery — completing a full-wrap portrait of Hyacinthus orientalis as seen through the eyes of the de Bry family at the height of the Dutch Golden Age’s bulb-collecting passion.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 5.5 × 8.5 inches (14 × 21.6 cm)\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined perforated pages (75 sheets)\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn — lays flat, flexes for comfortable writing\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap, De Bry Florilegium Novum 1611 Plates 57 \u0026amp; 58\u003c\/li\u003e\n\u003cli\u003eWeight: 0.1 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGardeners and bulb enthusiasts celebrating the Dutch Golden Age’s passion for exotic Ottoman flowers\u003c\/li\u003e\n\u003cli\u003eHyacinth and spring flower lovers drawn to the copper-plate precision of the de Bry family botanical tradition\u003c\/li\u003e\n\u003cli\u003eEarly botanical illustration collectors and admirers of the Florilegium Novum and Frankfurt’s golden age of publishing\u003c\/li\u003e\n\u003cli\u003eLovers of the de Bry family dynasty — from Theodor de Bry to Maria Sibylla Merian — and their extraordinary contribution to botanical art\u003c\/li\u003e\n\u003cli\u003eThoughtful gift seekers looking for a beautifully designed journal for gardeners, botanists, and lovers of Dutch Golden Age art\u003c\/li\u003e\n\u003cli\u003eAnyone who finds beauty in spring blooms and inspiration in the botanical heritage of early 17th-century Europe\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRead more: \u003ca href=\"\/blogs\/new-old-time\/de-bry-dynasty-florilegium-novum-1611-frankfurt-botanical-publishing\"\u003eThe de Bry Dynasty: Frankfurt’s Greatest Publishing Family and the Florilegium Novum of 1611\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62834514755953,"sku":"68893252252301863190","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Johann_Theodor_de_Bry_1611_Florilegium_Novum_hyacinth_journal_in_Dutch_Golden_Age_interior.png?v=1776371790"},{"product_id":"allium-botanical-charts-hardcover-journal-botanical-illustration-notebook","title":"Emil Korsmo Allium Charts Journal — 1913 Norwegian Weed Identification Notebook","description":"\u003cp\u003e\u003cem\u003eIn Scandinavia, the arrival of wild garlic in the forest understory is one of the surest signs of spring. Before the cultivated garden, before the supermarket, before the modern kitchen, the people of Norway and Sweden walked the same forests each April and May, following the smell of Allium ursinum through the birch and oak woods to the patches of broad green leaves that meant the cold was finally over. This knowledge — of where to find wild garlic, when to pick Siberian chives, how to distinguish the edible from the dangerous — was accumulated over centuries and documented, in 1913, by Emil Korsmo in the botanical charts that made him the defining voice of Norwegian agricultural science.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe front cover features Plate 78 from Korsmo’s 1913 Norwegian weed identification charts — Allium schoenoprasum, the Siberian chives, illustrated by Knut Quelprud with the taxonomic precision and educational clarity that made Korsmo’s work essential for Scandinavian farmers and botanists for generations. The back cover features Allium ursinum — wild garlic, the most prized of the Nordic foraged plants — documented with the same meticulous botanical accuracy, completing a full-wrap portrait of the Allium family as seen through the eyes of Norway’s greatest agricultural scientist.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 5.5 × 8.5 inches (14 × 21.6 cm)\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined perforated pages (75 sheets)\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn — lays flat, flexes for comfortable writing\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap, Emil Korsmo 1913 Allium charts, illustrations by Knut Quelprud\u003c\/li\u003e\n\u003cli\u003eWeight: 0.1 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBotanists and agricultural historians celebrating Emil Korsmo’s pioneering Norwegian weed identification tradition\u003c\/li\u003e\n\u003cli\u003eForagers and wild plant enthusiasts drawn to Allium ursinum and the Scandinavian foraging heritage\u003c\/li\u003e\n\u003cli\u003eNordic natural history lovers who want to carry the precision of Norwegian botanical science wherever they go\u003c\/li\u003e\n\u003cli\u003eGardeners and cooks inspired by wild garlic, Siberian chives, and the edible plants of the Scandinavian forest\u003c\/li\u003e\n\u003cli\u003eThoughtful gift seekers looking for a beautifully designed journal for botanists, foragers, and lovers of Nordic heritage\u003c\/li\u003e\n\u003cli\u003eAnyone who finds beauty in wild plants and inspiration in the agricultural science traditions of Norway\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRead more: \u003ca href=\"\/blogs\/new-old-time\/scandinavian-foraging-wild-plants-allium-korsmo-nordic-tradition\"\u003eThe Forest Pantry: Wild Plants, Foraging, and the Scandinavian Tradition of Reading the Landscape\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62834575245681,"sku":"71438797511866326995","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Emil_Korsmo_1913_Allium_journal_on_vintage_botanist_s_desk.png?v=1776181760"},{"product_id":"daisies-chrysanthemums-hardcover-journal-j-t-de-bry-1641-botanical-illustration","title":"J.T. De Bry Daisies \u0026 Chrysanthemums Journal — 1641 Florilegium Novum Botanical Engraving Notebook","description":"\u003cp\u003e\u003cem\u003eIn the early decades of the 17th century, a new kind of book appeared in the libraries of Europe’s most cultivated collectors. The florilegium — literally a “gathering of flowers” — was neither a botanical treatise nor a garden manual, but something more intimate and more beautiful: a book of flowers for the love of flowers, where the engraver’s needle and the colorist’s brush conspired to capture the ephemeral perfection of a bloom in permanent form. Johann Theodor de Bry, working in Frankfurt in the tradition his father Theodor had established, produced in 1641 one of the finest examples of the genre — a Florilegium Novum whose plates united scientific precision with an artistic sensibility that has never been surpassed.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe front cover features De Bry’s 1641 hand-colored engraving of wild catchfly (Lychnis), Cretan chrysanthemums, and oxeye daisies — each specimen meticulously labeled in Latin, arranged in the classic florilegium tradition against a cream background, rendered in warm reds, soft whites, and delicate flesh tones that capture the botanical precision and aesthetic grace of Frankfurt’s golden age of publishing. The back cover features Plate 9 from the same Florilegium Novum — checkered fritillaries and Trinity flowers (pansies), rendered with the same meticulous hand-coloring, the fritillary’s distinctive checkered pattern and the pansy’s velvety petals captured with the remarkable botanical precision of 17th-century natural philosophy at its finest.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 5.5 × 8.5 inches (14 × 21.6 cm)\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined perforated pages (75 sheets)\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn — lays flat, flexes for comfortable writing\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap, De Bry 1641 Florilegium Novum — Lychnis, Chrysanthemum \u0026amp; Daisies \/ Fritillaria \u0026amp; Pansy\u003c\/li\u003e\n\u003cli\u003eWeight: 0.1 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBotanical art collectors and garden enthusiasts celebrating the golden age of the European florilegium tradition\u003c\/li\u003e\n\u003cli\u003eLovers of 17th-century natural philosophy drawn to De Bry’s hand-colored engraving precision and Frankfurt’s publishing heritage\u003c\/li\u003e\n\u003cli\u003eFlorists, flower lovers, and nature writers inspired by Lychnis, chrysanthemums, fritillaria, and the classic blooms of the European garden\u003c\/li\u003e\n\u003cli\u003eHistorians of science and art fascinated by the moment when botanical documentation and artistic beauty were inseparable\u003c\/li\u003e\n\u003cli\u003eThoughtful gift seekers looking for a beautifully designed journal for botanists, gardeners, and lovers of historical illustration\u003c\/li\u003e\n\u003cli\u003eAnyone who finds poetry in petals and inspiration in the scientific curiosity of the 17th-century natural world\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRead more: \u003ca href=\"\/blogs\/new-old-time\/florilegium-flower-book-de-bry-1641-botanical-art-history\"\u003eThe Gathering of Flowers: Florilegia, the Art of the Flower Book, and the Legacy of De Bry’s 1641 Florilegium Novum\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62834581963121,"sku":"21096353073632199317","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/De_Bry_1641_Florilegium_Novum_daisies_journal.png?v=1776187214"},{"product_id":"british-grasses-sedges-hardcover-journal-botanical-field-notebook","title":"Anne Pratt British Grasses \u0026 Sedges Journal — 1855 Victorian Botanical Chromolithograph Notebook","description":"\u003cp\u003e\u003cem\u003eCarry the quiet elegance of Victorian natural history — when Anne Pratt walked the meadows and marshlands of Britain and transformed the humblest grasses into objects of scientific wonder and artistic beauty.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eAnne Pratt (1806–1893) was one of England's most beloved and prolific botanical illustrators, responsible for popularizing natural history among the general public — especially women and children — during an era when botany was becoming a cherished Victorian pastime. Her masterwork, \u003cem\u003eThe Flowering Plants, Grasses, Sedges, and Ferns of Great Britain\u003c\/em\u003e (1855–1873), used the innovative Baxter color printing method to produce affordable chromolithographs of remarkable accuracy and beauty. So celebrated was her work that Queen Victoria herself requested copies of all her publications. This distinguished hardcover journal brings together two of Pratt's finest grass plates — Plate 251 on the front and Plate 250 on the back.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFront Cover — Plate 251: Hare's Tail, Millet \u0026amp; Beard Grasses, 1855:\u003c\/strong\u003e\u003cbr\u003eThe front cover presents Plate 251, illustrating six British grass species with the meticulous precision that made Pratt's work indispensable to Victorian naturalists. Ovate Hare's Tail Grass (\u003cem\u003eLagurus ovatus\u003c\/em\u003e), Spreading Millet Grass (\u003cem\u003eMilium effusum\u003c\/em\u003e), Awned Nit Grass (\u003cem\u003eGastridium lendigerum\u003c\/em\u003e), Common Feather Grass, Annual Beard Grass, and Perennial Beard Grass are each rendered in full botanical detail, accompanied by diagrams of their floral segments. The chromolithograph technique gives each specimen a luminous, almost watercolor quality — scientific documentation elevated to art.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack Cover — Plate 250: Canary Grass, Sea Reed \u0026amp; Cat's-tail, 1855:\u003c\/strong\u003e\u003cbr\u003eThe back cover features Plate 250, depicting seven species of British grasses including Cultivated Canary Grass (\u003cem\u003ePhalaris canariensis\u003c\/em\u003e), Reed Canary Grass (\u003cem\u003ePhalaris arundinacea\u003c\/em\u003e), Common Sea Reed (\u003cem\u003eAmmophila arenaria\u003c\/em\u003e), Common Cat's-tail Grass (\u003cem\u003ePhleum pratense\u003c\/em\u003e), Alpine Cat's-tail Grass, Purple Stalked Cat's-tail, and Meadow Foxtail. Each specimen is rendered with the same meticulous care, the delicate seed heads and stems captured with a precision that served both the field botanist and the armchair naturalist equally well.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy This Journal Inspires:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eTwo chromolithograph plates from Anne Pratt's 1855 masterwork — a landmark in the democratization of Victorian botanical knowledge\u003c\/li\u003e\n\u003cli\u003eBaxter color printing at its finest — affordable mass-market chromolithography that brought British flora into every home\u003c\/li\u003e\n\u003cli\u003eA tangible connection to the Victorian natural history tradition, when meadow grasses were studied with the same reverence as exotic orchids\u003c\/li\u003e\n\u003cli\u003eThe perfect companion for field notes, species observations, botanical sketches, or nature reflections\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eProduct Details:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Hardcover lined journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 perforated lined pages for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.5 × 8.5 inches\u003c\/li\u003e\n\u003cli\u003eWeight: Approximately 400g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBotanists, ecologists, and meadow enthusiasts\u003c\/li\u003e\n\u003cli\u003eVictorian natural history collectors and chromolithograph art lovers\u003c\/li\u003e\n\u003cli\u003eField naturalists and plant identification enthusiasts\u003c\/li\u003e\n\u003cli\u003eGift for anyone captivated by British flora and Victorian botanical art\u003c\/li\u003e\n\u003cli\u003eStudents and educators of natural history and botanical illustration\u003c\/li\u003e\n\u003cli\u003eNature writers and journalers drawn to the quiet beauty of grasses and sedges\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cem\u003eCarry the quiet elegance of Victorian natural history — where Pratt's chromolithograph needle proved that even the humblest meadow grass deserves careful observation and celebration.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEU representative:\u003c\/strong\u003e HONSON VENTURES LIMITED, gpsr@honsonventures.com, 3, Gnaftis House flat 102, Limassol, Mesa Geitonia, 4003, CY\u003cbr\u003e\u003cstrong\u003eProduct information:\u003c\/strong\u003e Generic brand, 2 year warranty in EU and Northern Ireland as per Directive 1999\/44\/EC\u003cbr\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e Use a soft, clean and dry cloth to gently brush any dust or dirt off from the center of book outwards.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62837038743921,"sku":"12413121860941012499","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/anne-pratt-british-grasses-plate-251-chromolithograph-journal-standing.jpg?v=1769963770"},{"product_id":"tea-tins-hardcover-journal-matte-notebook-for-tea-lovers","title":"Apple Journal — Herefordshire Pomona 1885 Henry Graves Bull Alice Ellis Victorian Chromolithograph Pomology","description":"\u003cp\u003e\u003cem\u003eCarry the spirit of Victorian pomology—where Henry Graves Bull’s 1885 Herefordshire Pomona celebrates historic English apple varieties through Alice Ellis and Edith Bull’s exquisite chromolithographic artistry.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eThis hardcover journal celebrates Victorian pomology through Henry Graves Bull’s renowned 1876–1885 publication \u003cem\u003eThe Herefordshire Pomona\u003c\/em\u003e, considered one of the finest records of English fruit ever produced. Published by the Woolhope Naturalists’ Field Club and edited by Robert Hogg and Henry Graves Bull, this botanical masterwork features 77 fine coloured chromolithographs painted by women artists Alice Blanche Ellis and Edith Elizabeth Bull. The front cover presents Plate 52 featuring Dumelow’s Seedling, Annie Elizabeth, Prince Albert, Cockpit, and Greave’s Pippin after Alice Ellis. The back cover displays Plate LXXIV showcasing Pigeonnet, Api (Lady Apple from 1628), Pigeon, Colonel Vaughan (Kentish Pippin), Cowarne Queening, Tyler’s Kernel, Herefordshire Queening, and Winter Queening (White Winter Pearmain, possibly dating to 1200 AD), with a central apple blossom illustration. The dramatic black background enhances the vibrant chromolithographic colours.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFront Cover — Plate 52, Alice Ellis, Herefordshire Pomona, 1885:\u003c\/strong\u003e Five historic apple varieties—Dumelow’s Seedling, Annie Elizabeth, Prince Albert, Cockpit, and Greave’s Pippin—rendered in Alice Ellis’s exquisite chromolithographic style against a dramatic black background. Ellis’s technique captures the subtle gradations of colour, the texture of skin, and the botanical precision that made the Herefordshire Pomona the definitive visual record of English apple heritage.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack Cover — Plate LXXIV, Herefordshire Pomona, 1885:\u003c\/strong\u003e Eight historic varieties—including the Api (Lady Apple, documented since 1628) and the Winter Queening (White Winter Pearmain, possibly dating to 1200 AD)—arranged around a central apple blossom illustration. Together, the two plates wrap the journal in a complete portrait of English pomological heritage, from medieval orchards to the Victorian kitchen garden.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy This Journal Inspires:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHenry Graves Bull’s 1876–1885 \u003cem\u003eHerefordshire Pomona\u003c\/em\u003e—the finest record of English fruit ever produced, by the Woolhope Naturalists’ Field Club\u003c\/li\u003e\n\u003cli\u003eAlice Ellis and Edith Bull’s chromolithographic artistry—women artists whose work defined Victorian pomological illustration\u003c\/li\u003e\n\u003cli\u003e13 historic apple varieties spanning from 1200 AD (Winter Queening) to the Victorian kitchen garden—a complete portrait of English fruit heritage\u003c\/li\u003e\n\u003cli\u003eDramatic black background enhancing the vibrant chromolithographic colours of Plates 52 and LXXIV\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eProduct Details:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover journal with matte laminated full-wrap cover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Casewrap sewn binding that lays flat and flexes for comfortable writing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 5.5 × 8.5 inches, lightweight and portable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 0.1 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e Herefordshire Pomona 1885 Plates 52 \u0026amp; LXXIV, Alice Ellis chromolithographs, black background, matte finish; small 0.5\"x0.5\" production barcode on back\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eApple growers and orchard keepers documenting varieties, harvest notes, and cider-making recipes\u003c\/li\u003e\n\u003cli\u003eVictorian botanical art enthusiasts celebrating Alice Ellis and Edith Bull’s chromolithographic legacy\u003c\/li\u003e\n\u003cli\u003ePomology students and fruit heritage admirers recording historic apple variety trials and preservation\u003c\/li\u003e\n\u003cli\u003eCider makers journaling fermentation experiments and traditional English apple varieties\u003c\/li\u003e\n\u003cli\u003eThoughtful gift seekers looking for a beautifully designed journal for fruit lovers, orchard keepers, and Victorian natural history admirers\u003c\/li\u003e\n\u003cli\u003eRecipe collectors and culinary historians appreciating the centuries-deep heritage of English apples\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cem\u003eCarry the legacy of Victorian pomology—where Henry Graves Bull’s 1885 Herefordshire Pomona transforms historic English apple varieties into timeless chromolithographic artistry celebrating Alice Ellis, Edith Bull, and centuries of fruit heritage.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEU representative\u003c\/strong\u003e: HONSON VENTURES LIMITED, gpsr@honsonventures.com, 3, Gnaftis House flat 102, Limassol, Mesa Geitonia, 4003, CY\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProduct information\u003c\/strong\u003e: Generic brand, 2 year warranty in EU and Northern Ireland as per Directive 1999\/44\/EC\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e: Use a soft, clean and dry cloth to gently brush any dust or dirt off from the center of book outwards.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62837051752817,"sku":"59746381008504429131","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Apple_journal_Herefordshire_Pomona_1885_Henry_Graves_Bull_Alice_Ellis_Victorian_chromolithograph_pomology.jpg?v=1773336200"},{"product_id":"cactus-botanical-journal-saftleven-1683-mutrel-1892","title":"Saftleven \u0026 Mütrel Cactus Botanical Journal — 1683 Dutch Golden Age \u0026 1892 Cactaceae Illustrations Notebook","description":"\u003cp\u003e\u003cem\u003eWhen European naturalists first encountered cacti in the New World, they were confronted with plants unlike anything in their botanical experience — armoured, leafless, flowering in the desert with improbable beauty. This journal brings together two historic responses to that encounter, separated by two centuries but united by the same spirit of careful observation.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe front cover features Herman Saftleven's 1683 drawing of a flowering prickly pear — created in Utrecht at the height of the Dutch Golden Age, its pads rendered with careful attention to the geometry of the spines, crowned with flowers that open with an extravagance that seems almost incongruous on such an armoured plant. The back cover presents G. Mütrel's 1892 scientific plate from Brockhaus' Konversations-Lexikon: six species of the Cactaceae family — Nopalea coccinellifera, Cephalocereus senilis (Old Man Cactus), Cereus giganteus (Saguaro), Mammillaria longimamma, Rhipsalis paradoxa, and Echinocactus — rendered in the encyclopedic tradition of 19th-century botanical science.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProduct Details:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover journal with matte laminated full-wrap cover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Casewrap sewn binding that lays flat and flexes for comfortable writing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 5.5 × 8.5 inches, lightweight and portable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 0.1 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e Saftleven 1683 prickly pear (front) and Mütrel 1892 Cactaceae plate (back), matte finish\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCactus collectors, succulent enthusiasts, and desert garden lovers\u003c\/li\u003e\n\u003cli\u003eBotanists and natural history aficionados drawn to the Dutch Golden Age tradition\u003c\/li\u003e\n\u003cli\u003eScientific illustration collectors celebrating the encyclopedic tradition of Brockhaus\u003c\/li\u003e\n\u003cli\u003eThoughtful gift seekers for plant lovers, botanical art admirers, and naturalists\u003c\/li\u003e\n\u003cli\u003eStudents and educators of botanical illustration history\u003c\/li\u003e\n\u003cli\u003eNature writers and journalers drawn to arid landscapes and desert flora\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e📖 \u003ca href=\"\/blogs\/new-old-time\/the-armoured-flower-two-centuries-of-cactus-botanical-art-from-saftlevens-golden-age-to-mutrels-encyclopedia\"\u003eRead the story of two centuries of cactus botanical art →\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62837056307569,"sku":"36286578082496871044","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/herman-saftleven-cactus-botanical-journal-desert-garden-planning-lifestyle.png?v=1769981137"},{"product_id":"hardcover-journal-twenty-trees-herbs-shrubs-botanical-notebook","title":"Biblical Botany Journal — Thomas C. Jack 1850 Bible Natural History Chromolithographs McFarlane \u0026 Erskine Notebook","description":"\u003cp\u003e\u003cem\u003eCarry the sacred flora of Scripture — when Thomas C. Jack and the Edinburgh printers McFarlane \u0026amp; Erskine united Victorian botanical science with biblical scholarship to document forty plants that witnessed the stories of prophets, kings, and the birth of faith.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eIn 1850, Edinburgh publisher Thomas C. Jack released \u003cem\u003eBible Natural History\u003c\/em\u003e — a landmark Victorian botanical work documenting the flora mentioned throughout Scripture, printed by the renowned firm McFarlane \u0026amp; Erskine using the chromolithographic technique that defined 19th-century scientific illustration at its most refined. The publication represented the characteristic Victorian ambition to unite faith and natural science: to help readers visualize the agricultural, medicinal, and symbolic significance of the plants woven throughout the Old and New Testaments, from Genesis to Revelation. This distinguished hardcover journal brings together two chromolithograph plates from the series — Plate III on the front, a companion plate on the back — documenting forty biblical species in total.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFront Cover — Plate III: Twenty Trees, Herbs \u0026amp; Shrubs of the Bible, 1850:\u003c\/strong\u003e\u003cbr\u003eThe front cover presents a magnificent chromolithograph showcasing twenty trees, herbs, and shrubs from Scripture, each numbered and rendered in vivid botanical color. The Cedar of Lebanon, used to build Solomon's Temple; the Olive, symbolizing the new covenant and anointing; the Hyssop, used in purification rituals; the Pomegranate, representing the fertility of the Promised Land; the Vine, central to wine production and parable; the Sycamore Fig, climbed by Zacchaeus; the Palm, symbolizing triumph; the Almond, signifying divine approval; the Myrtle, prized for its fragrant leaves; the Balm of Gilead, valued for its medicinal properties; and the Thorn, associated with Christ's crown — each species is documented with the botanical accuracy prized by Victorian naturalists while honoring its spiritual significance in Scripture.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack Cover — Twenty Additional Biblical Plants, McFarlane \u0026amp; Erskine, Edinburgh, 1850:\u003c\/strong\u003e\u003cbr\u003eThe back cover presents a companion chromolithograph depicting twenty additional biblical species: Wheat and Barley, the staple grains of ancient agriculture; Willow; Spikenard, the precious anointing oil used by Mary of Bethany; Lily; Mustard, referenced in Christ's parables of the Kingdom; Flax, source of linen for priestly garments; Myrrh, gift of the Magi; Mandrake; Aloes; Wormwood; and Thistle. Together, the two covers create a comprehensive visual reference to forty species that appear throughout Scripture — a complete botanical companion to the Bible rendered with Victorian chromolithographic precision.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy This Journal Inspires:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eForty trees, herbs, and shrubs of the Bible documented across two chromolithograph plates — from the Cedar of Lebanon to the Mustard seed of the parables\u003c\/li\u003e\n\u003cli\u003eRare 1850 chromolithographs by Edinburgh's prestigious McFarlane \u0026amp; Erskine printing house — Victorian botanical science at its most refined\u003c\/li\u003e\n\u003cli\u003eA tangible connection to the Victorian tradition of biblical natural history, when faith and science converged in the study of Scripture's flora\u003c\/li\u003e\n\u003cli\u003eThe perfect companion for biblical study notes, botanical observations, theological reflections, or creative writing\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eProduct Details:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Hardcover lined journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 perforated lined pages for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.5 × 8.5 inches\u003c\/li\u003e\n\u003cli\u003eWeight: Approximately 400g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBiblical scholars, theology students, and devotional readers\u003c\/li\u003e\n\u003cli\u003eBotanists and herbalists interested in historical and sacred plant identification\u003c\/li\u003e\n\u003cli\u003eGardeners cultivating biblical or heritage plants\u003c\/li\u003e\n\u003cli\u003eVictorian natural history and chromolithograph collectors\u003c\/li\u003e\n\u003cli\u003eGift for anyone captivated by the intersection of faith, science, and botanical art\u003c\/li\u003e\n\u003cli\u003eStudents and educators of 19th-century natural history illustration\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cem\u003eCarry the sacred flora of Scripture — where McFarlane \u0026amp; Erskine's chromolithographic precision gave Victorian readers their first true botanical vision of the Holy Land.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEU representative:\u003c\/strong\u003e HONSON VENTURES LIMITED, gpsr@honsonventures.com, 3, Gnaftis House flat 102, Limassol, Mesa Geitonia, 4003, CY\u003cbr\u003e\u003cstrong\u003eProduct information:\u003c\/strong\u003e Generic brand, 2 year warranty in EU and Northern Ireland as per Directive 1999\/44\/EC\u003cbr\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e Use a soft, clean and dry cloth to gently brush any dust or dirt off from the center of book outwards.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62840511496561,"sku":"31805977594324275545","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/biblical-botany-journal-thomas-jack-1850-plate-iii-chromolithograph.jpg?v=1770140829"},{"product_id":"herbs-hardcover-journal-botanical-matte-notebook-for-notes-plant-lovers","title":"Medicinal Herbs Journal — Polish Botanical Zielnik Illustration 1870s–1912","description":"\u003cp\u003e\u003cem\u003eBefore pharmaceuticals, the meadow was the pharmacy. Across Central Europe, generations of herbalists, apothecaries, and rural healers walked the same fields each season — learning to read the landscape as a catalog of remedies. Dandelion for the liver, yarrow to staunch bleeding, wormwood for the stomach, coltsfoot for the chest. This knowledge was accumulated over centuries and recorded, in the 1870s through 1912, in the Polish zielnik tradition — illustrated herbals that combined the rigour of modern botanical science with the practical wisdom of the apothecary’s garden.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe front cover features Table XVI from a Polish botanical Zielnik of the 1870s–1912 period — ten wild medicinal herbs of the European meadow including Taraxacum officinale (Common Dandelion), Tanacetum vulgare (Tansy), Achillea millefolium (Yarrow), Leucanthemum vulgare (Oxeye Daisy), and Centaurea jacea (Brown Knapweed), each numbered and labelled in Polish, rendered with the meticulous precision of late 19th-century scientific illustration. The back cover features Table XV from the same tradition — twelve additional medicinal plants including Artemisia absinthium (Wormwood), Tussilago farfara (Coltsfoot), Cichorium intybus (Chicory), and Achillea millefolium (Yarrow) — completing a full-wrap portrait of 22 wild healing plants that formed the backbone of traditional Central European herbal medicine.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 5.5 × 8.5 inches (14 × 21.6 cm)\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined perforated pages (75 sheets)\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn — lays flat, flexes for comfortable writing\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap, Polish botanical Zielnik Tables XV \u0026amp; XVI\u003c\/li\u003e\n\u003cli\u003eWeight: 0.1 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHerbalists and apothecaries celebrating the Polish zielnik tradition of Central European folk medicine\u003c\/li\u003e\n\u003cli\u003eBotanists and foragers documenting wild medicinal plants of European meadows\u003c\/li\u003e\n\u003cli\u003eStudents of ethnobotany and folk medicine drawn to the healing plants of the 19th-century apothecary’s garden\u003c\/li\u003e\n\u003cli\u003eGardeners cultivating medicinal herb gardens inspired by dandelion, yarrow, tansy, and wormwood\u003c\/li\u003e\n\u003cli\u003eCollectors of vintage botanical illustration and admirers of late 19th-century Polish scientific illustration\u003c\/li\u003e\n\u003cli\u003eAnyone who finds beauty in wild healing plants and the herbal medicine traditions of Central Europe\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRead more: \u003ca href=\"\/blogs\/new-old-time\/central-european-medicinal-plants-herbal-tradition-zielnik\"\u003eThe Meadow as Pharmacy: Medicinal Plants of Central Europe and the Herbal Tradition\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62845940662641,"sku":"72814943771573350794","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Polish_botanical_Zielnik_medicinal_herbs_journal_standing_in_a_herbalist_s_home_laboratory.png?v=1780000081"},{"product_id":"british-wildflowers-hardcover-journal-matte-floral-notebook","title":"Floral Journal — Arendsen Haarlem's Flora 1872 Dutch Botanical","description":"\u003cp\u003e\u003cem\u003eCarry the spirit of Dutch botanical artistry — when Arentina Hendrica Arendsen transformed the bulbous plants of Haarlem into chromolithographic still lifes of extraordinary richness and botanical precision.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe front cover presents nine bulbous plant studies from Arendsen's plates for Haarlem's Flora (A.C. van Eeden \u0026amp; Co., 1872–1881), rendered in chromolithography from Arendsen's original paintings with up to twelve colors: Amaryllis (Vallota Purpurea), pink and yellow Hyacinths, Orange Lily (Lilium thunbergianum), Portuguese Squill (Scilla peruviana), Poppy Anemone (Anemone coronaria), Japanese Anemone (Anemone japonica), Spring Cyclamen (Cyclamen vernum), Double Yellow Tulip, and Great Camas (Camassia esculenta) — each specimen documented with the botanical accuracy and decorative richness that united the scientific tradition of botanical illustration with the flower still life of the Dutch Golden Age. The back cover presents nine additional species: Irises, Clivia miniata (Natal Lily), Ranunculus, Single Early Tulips, Narcissus (Daffodils), Spanish Iris (Iris xiphium), Tritoma (Kniphofia\/Red Hot Poker), White Lilies (Lilium candidum\/Madonna Lilies), and Tiger Lilies — completing a chromolithographic survey of eighteen of the most celebrated bulbous plants of the Haarlem tradition.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover journal with matte laminated full-wrap cover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Casewrap sewn binding that lays flat and flexes for comfortable writing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 5.5 × 8.5 inches, lightweight and portable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 0.1 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e Arendsen 1872 Haarlem's Flora chromolithograph plates, matte finish; small 0.5\"×0.5\" production barcode on back\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBulb gardeners documenting planting schedules, bloom times, and Dutch bulb varieties\u003c\/li\u003e\n\u003cli\u003eDutch botanical art enthusiasts and chromolithograph collectors\u003c\/li\u003e\n\u003cli\u003eSpring garden planners recording tulip, narcissus, hyacinth, and iris cultivation\u003c\/li\u003e\n\u003cli\u003eHorticulture students and educators of 19th-century Dutch floriculture\u003c\/li\u003e\n\u003cli\u003eGift for flower lovers, Dutch heritage admirers, and botanical illustration collectors\u003c\/li\u003e\n\u003cli\u003eNature journalers drawn to the beauty of Haarlem's historic bulb tradition\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eDiscover the story of Arentina Arendsen and the golden age of Dutch botanical illustration — from the tulip mania of the 17th century to the chromolithographic plates of Haarlem's Flora — in our blog post: \u003ca href=\"\/blogs\/new-old-time\/arentina-arendsen-and-the-art-of-dutch-botanical-illustration-in-the-nineteenth-century\"\u003eArentina Arendsen and the Art of Dutch Botanical Illustration in the Nineteenth Century\u003c\/a\u003e.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62847996625265,"sku":"38171316874001531293","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/floral-journal-at-dutch-greenhouse-table.png?v=1773340357"},{"product_id":"pomegranate-journal","title":"Pomegranate Journal — Miller 1779 Punica Granatum","description":"\u003cp\u003e\u003cem\u003eThere are few fruits as laden with meaning as the pomegranate. Cultivated for five thousand years across the Mediterranean and the Middle East, it has been the fruit of Persephone's underworld, the symbol of righteousness in Jewish tradition, the emblem of resurrection in Christian iconography — and, in 1779, the subject of John Miller's most precise and beautiful copperplate engravings.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe front cover reproduces Miller's hand-colored copperplate engraving of Punica granatum — the crimson flower with its crumpled petals, the whole fruit with its leathery rind, and the cross-section revealing the jewel-like arils and seed chambers within, from John Miller (Johann Sebastian Müller, 1715–1785), 1779, set against a dramatic black background that transforms Enlightenment botanical science into gallery-quality art. The back cover presents a complementary pomegranate engraving from Friedrich Johann Bertuch's Bilderbuch für Kinder (1790–1830) — the twelve-volume educational encyclopedia that brought natural history to every curious mind across the German-speaking world.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 5.75 × 8 in (14.6 × 20.3 cm)\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets)\u003c\/li\u003e\n\u003cli\u003ePerforated pages — tear out cleanly without damaging the binding\u003c\/li\u003e\n\u003cli\u003ePaper weight: 90 gsm, suitable for fountain pens and pencils\u003c\/li\u003e\n\u003cli\u003eHardcover with matte finish, casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eWeight: 400 g (14.1 oz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBotanical illustration enthusiasts and natural history collectors\u003c\/li\u003e\n\u003cli\u003eAdmirers of Enlightenment science and 18th-century copperplate engraving\u003c\/li\u003e\n\u003cli\u003eGardeners cultivating pomegranates and Mediterranean heritage plants\u003c\/li\u003e\n\u003cli\u003eStudents of Greek mythology, Jewish tradition, and Christian iconography\u003c\/li\u003e\n\u003cli\u003eEveryday writing, field notes, and daily planning\u003c\/li\u003e\n\u003cli\u003eThoughtful gifts for anyone captivated by the beauty and symbolism of the pomegranate\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRead more: \u003ca href=\"\/blogs\/new-old-time\/pomegranate-symbolism-persephone-mythology-botanical-history-punica-granatum\"\u003eThe Pomegranate and Its Symbols: Five Thousand Years of Meaning\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62853992710513,"sku":"32567709223973503419","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/pomegranate-journal-fruit-seeds-garden-botanical-illustration-lifestyle.png?v=1770322892"},{"product_id":"peonies-redoute-hardcover-journal-matte-floral-notebook","title":"Peonies Journal — Redouté 1827 Choix des plus belles","description":"\u003cp\u003e\u003cem\u003eThe peony has been cultivated for more than two thousand years — from the imperial gardens of Tang dynasty China, where the emperor Xuanzong planted ten thousand tree peonies and the poet Li Bai compared their beauty to that of the imperial consort, to the gardens of Malmaison, where Empress Joséphine assembled the finest peony collection in Europe and commissioned Pierre-Joseph Redouté to give them the portraits they deserved.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe front cover presents Redouté's illustration of the Moutan peony — Paeonia moutan suffruticosa, the tree peony introduced to Europe from China in the late 18th century — with its botanical scientific diagrams, from his contributions to the Traité des arbres et arbustes, rendered in his signature stipple-engraving technique that earned him the title “Raphael of Flowers,” set against a deep dark blue background. The back cover presents Plate 071 from Choix des plus belles fleurs (1827) — the Pivoine de la Chine (Paeonia lactiflora), one of the most celebrated botanical plates of the 19th century, its full abundant blooms in deep rose, blush pink, and cream glowing against the dark blue background with the luminosity of gallery-quality art.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 5.75 × 8 in (14.6 × 20.3 cm)\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets)\u003c\/li\u003e\n\u003cli\u003ePerforated pages — tear out cleanly without damaging the binding\u003c\/li\u003e\n\u003cli\u003ePaper weight: 90 gsm, suitable for fountain pens and pencils\u003c\/li\u003e\n\u003cli\u003eHardcover with matte finish, casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eWeight: 400 g (14.1 oz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePeony lovers and botanical art collectors\u003c\/li\u003e\n\u003cli\u003eRedouté admirers and French botanical illustration enthusiasts\u003c\/li\u003e\n\u003cli\u003eGarden journalers documenting peony cultivation and floral observations\u003c\/li\u003e\n\u003cli\u003eStudents of 19th-century French botanical illustration and stipple-engraving\u003c\/li\u003e\n\u003cli\u003eEveryday writing, floral design notes, and creative journaling\u003c\/li\u003e\n\u003cli\u003eThoughtful gifts for anyone captivated by Napoleonic elegance and the gardens of Malmaison\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRead more: \u003ca href=\"\/blogs\/new-old-time\/peony-history-symbolism-china-malmaison-redoute-botanical-illustration\"\u003eThe Peony: From Ancient China to the Gardens of Malmaison\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62867372933489,"sku":"32094239102590721835","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/peonies-redoute-journal-fresh-flowers-botanical-books-garden-lifestyle.png?v=1770409711"},{"product_id":"botanical-iris-hardcover-journal-michael-valentini-art","title":"Botanical Iris Hardcover Journal — Weinmann \u0026 Valentini 18th Century Iris latifolia English Iris Phytanthoza Iconographia","description":"\u003cp\u003e\u003cem\u003eCarry the botanical precision of the 18th century — when Weinmann's Phytanthoza Iconographia and Valentini's Viridarium Reformatum gave the iris its most exquisite scientific portraits, and the golden age of botanical illustration united art and natural science in a single engraved line.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eJohann Wilhelm Weinmann's \u003cem\u003ePhytanthoza Iconographia\u003c\/em\u003e (1737–1745) was one of the most ambitious botanical publications of the 18th century — eight folio volumes documenting over 1,000 plant species with hand-colored copperplate engravings of extraordinary precision and beauty. Michael Bernhard Valentini's \u003cem\u003eViridarium Reformatum\u003c\/em\u003e (1719) represented an earlier tradition of Florilegium-style botanical documentation, combining scientific rigor with the decorative elegance of the German botanical illustration tradition. This distinguished hardcover journal brings together iris illustrations from both publications — Weinmann's \u003cem\u003eIris latifolia\u003c\/em\u003e (English Iris) on the front, and Valentini's iris varieties on the back — celebrating two of the 18th century's most distinguished contributions to botanical art.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFront Cover — Iris latifolia (English Iris), TAB CCV, Johann Wilhelm Weinmann, Phytanthoza Iconographia, 1737–1745:\u003c\/strong\u003e\u003cbr\u003eThe front cover presents Weinmann's TAB CCV copperplate engraving of \u003cem\u003eIris latifolia\u003c\/em\u003e — the English Iris, native to the Pyrenees and widely cultivated across 18th-century European gardens — with the violet-blue petals, yellow falls, and archaic Latin botanical nomenclature that characterize Weinmann's meticulous documentation style. The hand-colored engraving captures the iris's architectural beauty with the scientific accuracy that made \u003cem\u003ePhytanthoza Iconographia\u003c\/em\u003e an essential reference for 18th-century botanists and gardeners alike. The English Iris's distinctive form — its broad falls, its upright standards, its intricate veining — is rendered with a precision and delicacy that reveals the full mastery of the 18th-century copperplate engraver's art.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack Cover — Iris angustifolia \u0026amp; Iris latifolia, Michael Bernhard Valentini, Viridarium Reformatum, 1719:\u003c\/strong\u003e\u003cbr\u003eThe back cover presents Valentini's hand-colored iris engraving from \u003cem\u003eViridarium Reformatum\u003c\/em\u003e (1719), documenting \u003cem\u003eIris angustifolia\u003c\/em\u003e and \u003cem\u003eIris latifolia\u003c\/em\u003e varieties in the traditional Florilegium style — a composition that places botanical accuracy within a decorative tradition inherited from the great 17th-century florilegia of Besler and de Bry. Valentini's engraving predates Weinmann's by nearly two decades, offering a complementary perspective on the iris from an earlier moment in the golden age of botanical illustration. Together, the two covers document the English Iris across two of the 18th century's most distinguished botanical publications, separated by 18 years and united by a shared commitment to scientific precision and artistic beauty.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy This Journal Inspires:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWeinmann's TAB CCV from \u003cem\u003ePhytanthoza Iconographia\u003c\/em\u003e (1737–1745) and Valentini's iris from \u003cem\u003eViridarium Reformatum\u003c\/em\u003e (1719) — two of the 18th century's most distinguished botanical publications in a single journal\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIris latifolia\u003c\/em\u003e (English Iris) and \u003cem\u003eIris angustifolia\u003c\/em\u003e documented across 18 years of botanical illustration history — from Valentini's Florilegium tradition to Weinmann's encyclopedic precision\u003c\/li\u003e\n\u003cli\u003eHand-colored copperplate engraving at its finest — the golden age of botanical illustration when art and natural science were inseparable\u003c\/li\u003e\n\u003cli\u003eThe perfect companion for garden notes, iris cultivation records, botanical observations, or nature journaling inspired by 18th-century natural history\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eProduct Details:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Hardcover lined journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 perforated lined pages for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.5 × 8.5 inches\u003c\/li\u003e\n\u003cli\u003eWeight: Approximately 400g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBotanists, iris enthusiasts, and perennial gardeners\u003c\/li\u003e\n\u003cli\u003eCollectors of 18th-century botanical art and copperplate engraving\u003c\/li\u003e\n\u003cli\u003eStudents and researchers of the history of botanical illustration\u003c\/li\u003e\n\u003cli\u003eGift for anyone captivated by the beauty and precision of the golden age of natural history\u003c\/li\u003e\n\u003cli\u003eNature journalers and garden planners drawn to the Florilegium tradition\u003c\/li\u003e\n\u003cli\u003eAdmirers of Weinmann, Valentini, and the great botanical publications of the Enlightenment era\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cem\u003eCarry the botanical precision of the 18th century — where Weinmann's copperplate needle and Valentini's Florilegium tradition gave the iris the scientific portrait it has always deserved.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEU representative:\u003c\/strong\u003e HONSON VENTURES LIMITED, gpsr@honsonventures.com, 3, Gnaftis House flat 102, Limassol, Mesa Geitonia, 4003, CY\u003cbr\u003e\u003cstrong\u003eProduct information:\u003c\/strong\u003e Generic brand, 2 year warranty in EU and Northern Ireland as per Directive 1999\/44\/EC\u003cbr\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e Use a soft, clean and dry cloth to gently brush any dust or dirt off from the center of book outwards.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62867386138993,"sku":"28943349421443835709","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Hardcover_botanical_journal_standing_upright_showing_front_cover_with_Johann_Wilhelm_Weinmann_s_18th-century_Iris_latifolia_copperplate_engraving_from_Phytanthoza_Iconographia_1737-1745_featuring_English_Iris_with_violet-blue_petals_and_yellow.jpg?v=1770411941"},{"product_id":"temple-of-flora-pontic-rhododendron-hardcover-journal","title":"Rhododendron Journal — Thornton Temple of Flora 1807","description":"\u003cp\u003e\u003cem\u003eA hardcover journal with covers illustrated with Robert John Thornton's Pontic Rhododendron — the celebrated mezzotint plate from The Temple of Flora, published in London between 1799 and 1807 as part of the most ambitious botanical book of the Georgian era.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 5.75 × 8 in (14.6 × 20.3 cm)\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets)\u003c\/li\u003e\n\u003cli\u003ePerforated pages — tear out cleanly without damaging the binding\u003c\/li\u003e\n\u003cli\u003ePaper weight: 90 gsm, suitable for fountain pens and pencils\u003c\/li\u003e\n\u003cli\u003eHardcover with matte finish, casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eWeight: 400 g (14.1 oz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBotanical art collectors and natural history enthusiasts\u003c\/li\u003e\n\u003cli\u003eLovers of Georgian and Regency era illustration\u003c\/li\u003e\n\u003cli\u003eRhododendron and garden enthusiasts\u003c\/li\u003e\n\u003cli\u003eEveryday writing, field notes, and daily planning\u003c\/li\u003e\n\u003cli\u003eThoughtful gifts for gardeners and lovers of romantic art\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRead more: \u003ca href=\"\/blogs\/new-old-time\/the-most-expensive-flower-book-ever-made-thornton-s-temple-of-flora\"\u003eThe Most Expensive Flower Book Ever Made: Thornton's Temple of Flora\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62868750532977,"sku":"28527249956774824053","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Temple_of_Flora_hardcover_journal_standing_on_elegant_wooden_table_near_window_with_fresh_pink_and_purple_rhododendron_flowers_in_vase_fine_porcelain_teacup_dramatic_natural_light_through_curtains_romantic_botanical_art_stationery_for_nature.png?v=1770478676"},{"product_id":"leaves-journal-1890-botanical-chart","title":"Botanical School Chart Journal — Harper \u0026 Brothers 1890 Marcius Willson Educational Charts","description":"\u003cp\u003e\u003cem\u003eIn 1890, a publisher named Harper \u0026amp; Brothers released a series of large-format school charts designed by Marcius Willson and N.A. Calkins that would transform the way American children learned about the natural world. The charts were part of the object-lesson movement — the pedagogical revolution that held that children learn best not from abstract definitions but from direct observation of real things: the leaf in the hand, the root pulled from the soil, the cotton boll opened to reveal its fibers. Willson’s charts brought the object lesson into the classroom at scale, combining scientific accuracy with the vibrant chromolithographic color that made Victorian educational design the most beautiful the world had yet produced.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe front cover features Chart No. XXII — Economical Uses of Plants — from Harper \u0026amp; Brothers’ 1890 school series by Marcius Willson and N.A. Calkins: a comprehensive chromolithographic survey of the plant kingdom’s economic importance, from medicinal plants and beverage crops (tea, coffee, cacao) to textile fibres (cotton, flax, hemp) and spices, each specimen labelled with its common and scientific name, rendered with the scientific accuracy and vibrant color that made Willson’s charts essential teaching tools in Gilded Age American classrooms. The back cover features Chart No. XIX — Forms of Leaves, Stems, Roots, and Flowers — a masterwork of botanical morphology documenting the structural diversity of the plant kingdom with the pedagogical clarity that defined the object-lesson method, the two charts together wrapping the journal in a complete portrait of Victorian botanical education.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 5.5 × 8.5 inches (14 × 21.6 cm)\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined perforated pages (75 sheets)\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn — lays flat, flexes for comfortable writing\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap, Harper \u0026amp; Brothers 1890 Charts No. XXII \u0026amp; XIX by Marcius Willson \u0026amp; N.A. Calkins, chromolithograph\u003c\/li\u003e\n\u003cli\u003eWeight: 0.1 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBotanists, plant scientists, and nature study enthusiasts celebrating the Gilded Age tradition of object-lesson teaching and Marcius Willson’s Harper \u0026amp; Brothers school series\u003c\/li\u003e\n\u003cli\u003eTeachers and educators inspired by the pedagogical clarity of Victorian botanical education and the chromolithographic art of 19th-century American school charts\u003c\/li\u003e\n\u003cli\u003eHomeschool families seeking a beautifully designed journal for nature study, botanical observation notes, and plant science education\u003c\/li\u003e\n\u003cli\u003eVintage educational chart collectors and admirers of the Harper \u0026amp; Brothers 1890 school series\u003c\/li\u003e\n\u003cli\u003eThoughtful gift seekers looking for a journal for botanists, teachers, and lovers of the history of science education\u003c\/li\u003e\n\u003cli\u003eAnyone who finds beauty in leaves and inspiration in the quiet precision of Victorian botanical illustration\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRead more: \u003ca href=\"\/blogs\/new-old-time\/marcius-willson-object-lesson-harper-brothers-1890-botanical-education\"\u003eLearning by Looking: Marcius Willson, the Object-Lesson Method, and the Art of Victorian Botanical Education\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62872954077553,"sku":"40478705185654112761","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Botanical_School_Chart_Journal_Botanist_Desk_Scene.png?v=1770495666"},{"product_id":"phytopalaeology-hardcover-journal-matte-botanical-fossil-notebook","title":"Phytopalaeology Journal — Henckel 1905 Ginkgo Fossil","description":"\u003cp\u003e\u003cem\u003eThe Ginkgo biloba has been dropping its fan-shaped leaves every autumn for approximately 270 million years. It watched the dinosaurs rise and fall. It survived the asteroid impact that ended the Cretaceous. It outlasted the ice ages. In 1905, the Russian paleobotanist Alexander-Paul Henckel gave its fossil leaf — and the ancient palms, cycads, algae, and diatoms of the Middle Tertiary marsh — their most precise and beautiful scientific portrait.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe front cover presents Henckel's 1905 illustrations of marsh plant fossils from the Middle Tertiary — ancient palm fronds, cycad specimens, and the iconic Ginkgo biloba leaf, one of the most celebrated fossils in the history of paleobotany, documented with the scientific precision that made Henckel's work an essential reference for early 20th-century Russian paleobotanists. The back cover presents Henckel's aquatic plant fossil illustrations — algae, seaweeds, diatoms, and cryptogams rendered with microscopic delicacy, preserved in their millions in the sedimentary rocks of the Tertiary period. Together, the two covers offer a complete portrait of prehistoric wetland life — from the towering ancient palm to the microscopic diatom, from the visible to the invisible.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 5.75 × 8 in (14.6 × 20.3 cm)\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets)\u003c\/li\u003e\n\u003cli\u003ePerforated pages — tear out cleanly without damaging the binding\u003c\/li\u003e\n\u003cli\u003ePaper weight: 90 gsm, suitable for fountain pens and pencils\u003c\/li\u003e\n\u003cli\u003eHardcover with matte finish, casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eWeight: 400 g (14.1 oz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePaleobotanists, fossil plant enthusiasts, and geological researchers\u003c\/li\u003e\n\u003cli\u003eAdmirers of Russian scientific illustration and natural history art\u003c\/li\u003e\n\u003cli\u003eWetland ecologists and marsh biologists\u003c\/li\u003e\n\u003cli\u003eStudents of paleobotany, geology, and the history of science\u003c\/li\u003e\n\u003cli\u003eEveryday writing, field notes, and research journaling\u003c\/li\u003e\n\u003cli\u003eThoughtful gifts for anyone captivated by the deep time of the Earth\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRead more: \u003ca href=\"\/blogs\/new-old-time\/ginkgo-biloba-living-fossil-history-paleobotany-henckel-1905\"\u003eThe Ginkgo Biloba: A Living Fossil\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62873541706097,"sku":"25503685923442418790","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Phytopalaeology_Journal_Laboratory_Scene.png?v=1770566231"},{"product_id":"bulbous-plants-hardcover-journal-botanical-notebook-for-plant-lovers","title":"Bulbous Plants Journal — Sytin 1910 Moscow \u0026 Merian 1730 Spring Bulbs Entomology Engraving","description":"\u003cp\u003e\u003cem\u003eCarry the beauty of two centuries of botanical wonder — when Maria Sibylla Merian's revolutionary live-specimen engravings gave spring bulbs and their insects the most intimate portrait in the history of natural history art, and Ivan Dmitrievich Sytin's Moscow educational plates brought the science of bulbous plants to the classrooms of pre-revolutionary Russia.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eMaria Sibylla Merian (1647–1717) was one of the most extraordinary naturalists of the early modern era — a woman who traveled to Suriname at the age of 52 to observe tropical insects in the wild, and whose revolutionary methodology of observing live specimens allowed her to document the complete metamorphosis of insects alongside their host plants with an accuracy and intimacy no previous naturalist had achieved. Her engravings of spring bulbous flowers and their associated insects, published in \u003cem\u003eDe Europischen Insecten\u003c\/em\u003e (J.F. Bernard, c. 1730), represent some of the most beautiful natural history illustrations ever produced. Two centuries later, the Tipografiya Tovarishchestva I. D. Sytina — pre-revolutionary Russia's most influential educational publisher — produced its celebrated \u003cem\u003ePlantas Bulbosas\u003c\/em\u003e plate (c. 1910), combining Art Nouveau aesthetics with scientific rigor. This distinguished hardcover journal unites both masterworks: Sytin's 1910 Moscow educational plate on the front, and Merian's 1730 entomological engraving on the back.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFront Cover — Plantas Bulbosas Plate I, Tipografiya Tovarishchestva I. D. Sytina, Moscow, c. 1910:\u003c\/strong\u003e\u003cbr\u003eThe front cover presents Sytin's \u003cem\u003ePlantas Bulbosas\u003c\/em\u003e Plate I — an Art Nouveau-influenced educational plate classifying bulbous plants into four functional categories: floral (decorative blooms), ornamental (garden specimens), edible (culinary bulbs), and useful (medicinal or practical). The plate documents complete biological structures from bulb cross-section to seed — hyacinths, tulips, daffodils, and narcissus rendered with the combination of scientific precision and decorative elegance that defined the best Russian educational illustration of the pre-revolutionary era.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack Cover — Spring Bulbs \u0026amp; Insects, Maria Sibylla Merian, De Europischen Insecten, c. 1730:\u003c\/strong\u003e\u003cbr\u003eThe back cover presents Merian's engraving of spring bulbous flowers and their associated insects — four quadrants documenting blue hyacinths with butterflies and caterpillars, white narcissus with purple iris, white daffodils with caterpillar and butterfly, and Crown Imperial (\u003cem\u003eFritillaria imperialis\u003c\/em\u003e) with butterfly and pupa. Merian was one of the first naturalists to observe live specimens, accurately depicting the complete metamorphosis of insects alongside their host plants — a groundbreaking methodology that her daughter Johanna continued after her death, and that influenced generations of botanists and entomologists.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy This Journal Inspires:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSytin's 1910 Moscow \u003cem\u003ePlantas Bulbosas\u003c\/em\u003e Plate I — Art Nouveau aesthetics and scientific rigor from pre-revolutionary Russia's most important educational publisher\u003c\/li\u003e\n\u003cli\u003eMaria Sibylla Merian's 1730 spring bulbs and insects — the revolutionary live-specimen methodology that transformed natural history illustration\u003c\/li\u003e\n\u003cli\u003eTwo centuries of botanical wonder united — from Merian's 18th-century entomological intimacy to Sytin's early 20th-century educational precision\u003c\/li\u003e\n\u003cli\u003eThe perfect companion for garden planning notes, bulb planting schedules, botanical sketches, or daily reflections inspired by the beauty of spring flowers\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eProduct Details:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Hardcover lined journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 perforated lined pages for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.5 × 8.5 inches\u003c\/li\u003e\n\u003cli\u003eWeight: Approximately 400g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGardeners documenting bulb planting schedules, bloom times, and cultivar notes\u003c\/li\u003e\n\u003cli\u003eBotanists, horticulturists, and entomologists studying bulbous plant species and insect-plant relationships\u003c\/li\u003e\n\u003cli\u003eNatural history enthusiasts and collectors of Maria Sibylla Merian's pioneering work\u003c\/li\u003e\n\u003cli\u003eGift for anyone captivated by the beauty of spring bulbs, the wonder of metamorphosis, and the history of botanical illustration\u003c\/li\u003e\n\u003cli\u003eStudents of botany, ecology, and Art Nouveau educational illustration\u003c\/li\u003e\n\u003cli\u003eWriters and creatives inspired by the patience, devotion, and extraordinary vision of Maria Sibylla Merian\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cem\u003eCarry the beauty of two centuries of botanical wonder — where Merian's live-specimen needle and Sytin's Art Nouveau press gave the hyacinth, the tulip, and the Crown Imperial the portraits they have always deserved.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEU representative:\u003c\/strong\u003e HONSON VENTURES LIMITED, gpsr@honsonventures.com, 3, Gnaftis House flat 102, Limassol, Mesa Geitonia, 4003, CY\u003cbr\u003e\u003cstrong\u003eProduct information:\u003c\/strong\u003e Generic brand, 2 year warranty in EU and Northern Ireland as per Directive 1999\/44\/EC\u003cbr\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e Use a soft, clean and dry cloth to gently brush any dust or dirt off from the center of book outwards.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62873552028017,"sku":"26155294974216614562","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Bulbous_Plants_Journal_Front_Cover.jpg?v=1770573195"},{"product_id":"botanical-pine-spruce-hardcover-journal-matte-botanical-notebook","title":"Botanical Pine \u0026 Spruce Journal — T-va I.D. Sytina 1910 Russian School Poster \u0026 Otto Wilhelm Thomé 1885 Picea Abies Norway Spruce","description":"\u003cp\u003e\u003cem\u003eCarry the evergreen resilience of the northern forest — when T-va I.D. Sytina's 1910 Russian educational poster gave the Norway Spruce and Silver Birch their most beautiful pedagogical portrait, and Otto Wilhelm Thomé's 1885 \u003cem\u003eFlora von Deutschland\u003c\/em\u003e documented \u003cem\u003ePicea abies\u003c\/em\u003e with the scientific precision that made German botanical illustration the gold standard of the natural history world.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eTwo of the great traditions of late 19th and early 20th-century botanical education meet in this distinguished hardcover journal: the Russian educational poster tradition of the Tipografiya Tovarishchestva I. D. Sytina — pre-revolutionary Russia's most important educational publisher — and the German scientific botanical illustration tradition of Otto Wilhelm Thomé's \u003cem\u003eFlora von Deutschland, Österreich und der Schweiz\u003c\/em\u003e (1885). Both traditions shared a commitment to making botanical knowledge beautiful and accessible — the Russian poster through bold educational lithography, the German plate through meticulous hand-colored engraving. Together, they offer a complete portrait of the Norway Spruce (\u003cem\u003ePicea abies\u003c\/em\u003e) and its forest companions — from the educational overview of the Russian school poster to the anatomical precision of Thomé's botanical plate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFront Cover — Norway Spruce \u0026amp; Silver Birch, T-va I.D. Sytina Russian School Poster, Moscow, 1910:\u003c\/strong\u003e\u003cbr\u003eThe front cover presents Sytina's 1910 Russian educational school poster documenting the Norway Spruce (\u003cem\u003ePicea abies\u003c\/em\u003e) and Silver Birch (\u003cem\u003eBetula pendula\u003c\/em\u003e) — two of the most characteristic trees of the northern European and Russian forest, depicted with the bold, clear imagery that made Sytina's school posters essential teaching tools across the Russian Empire. The poster combines botanical diagrams of complete tree structures — from root system to crown, from cone to seed — with the Art Nouveau-influenced aesthetic that gave Sytina's educational publications their distinctive visual character.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack Cover — Picea abies Norway Spruce: Cones, Needles \u0026amp; Seeds, Otto Wilhelm Thomé, Flora von Deutschland, 1885:\u003c\/strong\u003e\u003cbr\u003eThe back cover presents Thomé's plate of \u003cem\u003ePicea abies\u003c\/em\u003e — a detailed botanical illustration documenting the Norway Spruce's cones, needles, seeds, and reproductive structures with the scientific precision and hand-colored beauty that made Thomé's \u003cem\u003eFlora\u003c\/em\u003e one of the most celebrated botanical publications of the late 19th century. The Norway Spruce — the most widely distributed conifer in Europe, the traditional Christmas tree of the German-speaking world, and one of the most ecologically important trees of the boreal forest — is rendered with the anatomical detail of a scientist who understood that the most beautiful things in nature are often the most precisely structured.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy This Journal Inspires:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eT-va I.D. Sytina's 1910 Russian school poster — Norway Spruce and Silver Birch in the bold, clear imagery of pre-revolutionary Russian educational lithography\u003c\/li\u003e\n\u003cli\u003eOtto Wilhelm Thomé's \u003cem\u003ePicea abies\u003c\/em\u003e from \u003cem\u003eFlora von Deutschland\u003c\/em\u003e (1885) — cones, needles, and seeds in the scientific precision of German botanical illustration\u003c\/li\u003e\n\u003cli\u003eTwo great traditions of botanical education united — Russian educational poster and German scientific plate, Moscow and the German-speaking world, 1885 and 1910\u003c\/li\u003e\n\u003cli\u003eThe perfect companion for botanical field notes, forest observation logs, nature journaling, or daily reflections inspired by the evergreen resilience of the northern forest\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eProduct Details:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Hardcover lined journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 perforated lined pages for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.5 × 8.5 inches\u003c\/li\u003e\n\u003cli\u003eWeight: Approximately 400g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBotanists, foresters, and arborists documenting conifer species and forest observations\u003c\/li\u003e\n\u003cli\u003eNatural history and botanical illustration collectors\u003c\/li\u003e\n\u003cli\u003eAdmirers of Russian educational design and German scientific botanical art\u003c\/li\u003e\n\u003cli\u003eGift for anyone captivated by the beauty, resilience, and ecological importance of the northern forest\u003c\/li\u003e\n\u003cli\u003eStudents and researchers of the history of botanical illustration and natural history pedagogy\u003c\/li\u003e\n\u003cli\u003eWriters and creatives inspired by the quiet majesty and evergreen endurance of the conifer forest\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cem\u003eCarry the evergreen resilience of the northern forest — where Sytina's educational lithograph and Thomé's botanical needle gave the Norway Spruce and the Silver Birch the scientific and artistic portraits they have always deserved.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEU representative:\u003c\/strong\u003e HONSON VENTURES LIMITED, gpsr@honsonventures.com, 3, Gnaftis House flat 102, Limassol, Mesa Geitonia, 4003, CY\u003cbr\u003e\u003cstrong\u003eProduct information:\u003c\/strong\u003e Generic brand, 2 year warranty in EU and Northern Ireland as per Directive 1999\/44\/EC\u003cbr\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e Use a soft, clean and dry cloth to gently brush any dust or dirt off from the center of book outwards.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62880196854129,"sku":"30839602020601611496","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Pine_Spruce_Journal_Front_Cover.jpg?v=1770640984"},{"product_id":"dandelion-engraving-hardcover-journal-maria-sibylla-merian-1730-matte","title":"Dandelion Journal — Ebba Masalin 1905 Finnish School Poster \u0026 Olaf Alfred Hoffstad 1899 Norwegian Botanical Plate Taraxacum Officinale","description":"\u003cp\u003e\u003cem\u003eCarry the extraordinary resilience of the most democratic flower in the world — when Ebba Masalin's 1905 Finnish school poster gave the dandelion its most beautiful educational portrait, and Olaf Alfred Hoffstad's 1899 Norwegian botanical plate documented \u003cem\u003eTaraxacum officinale\u003c\/em\u003e with the scientific precision that revealed the humble weed as one of nature's most perfectly engineered plants.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eThe dandelion — \u003cem\u003eTaraxacum officinale\u003c\/em\u003e, the “lion's tooth”, the \u003cem\u003edent de lion\u003c\/em\u003e of the French, the \u003cem\u003eløvetand\u003c\/em\u003e of the Norwegians — grows in every crack in every pavement on every continent, has been eaten, drunk, and used medicinally by every culture that has encountered it, and has inspired more scientific admiration than almost any other common plant. Its taproot penetrates deep into compacted soil; its golden flower head is a composite of dozens of individual florets, each a complete flower in miniature; and its seed head — the familiar white globe of pappus-tipped achènes — is one of the most elegant seed dispersal mechanisms in the plant kingdom. This distinguished hardcover journal celebrates the dandelion through two of the finest Nordic botanical educational traditions: Ebba Masalin's 1905 Finnish school poster on the front, and Olaf Alfred Hoffstad's 1899 Norwegian botanical plate on the back.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFront Cover — Taraxacum officinale, Ebba Masalin, Finnish Opetustaulu School Poster, 1905:\u003c\/strong\u003e\u003cbr\u003eThe front cover presents Masalin's 1905 Finnish \u003cem\u003eopetustaulu\u003c\/em\u003e (school poster) of the dandelion — a complete anatomical study documenting the plant's taproot, jagged leaves, flower heads in various stages of development, and seed dispersal with the educational clarity and visual boldness that made Finnish school posters among the finest examples of early 20th-century botanical pedagogy. The poster captures the dandelion's complete life cycle — from the golden flower head to the white seed globe — with the combination of scientific accuracy and aesthetic elegance that distinguished Masalin's work.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack Cover — Taraxacum officinale Morphological Study, Olaf Alfred Hoffstad, Norwegian Botanical Plate, 1899:\u003c\/strong\u003e\u003cbr\u003eThe back cover presents Hoffstad's 1899 Norwegian botanical plate — a detailed morphological study documenting the dandelion's florets, achène, pappus, and floral diagram in the \u003cem\u003efarvelagte botaniske plancher\u003c\/em\u003e (colored botanical plates) tradition that made Scandinavian botanical illustration one of the most rigorous in Europe. The plate reveals the extraordinary complexity hidden within the dandelion's apparent simplicity — each floret a complete flower with its own stamens, pistil, and petal, the achène a perfectly aerodynamic seed capsule, the pappus a parachute of extraordinary delicacy and efficiency.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy This Journal Inspires:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eEbba Masalin's 1905 Finnish \u003cem\u003eopetustaulu\u003c\/em\u003e school poster — the dandelion's complete life cycle in the bold, clear imagery of early 20th-century Nordic botanical education\u003c\/li\u003e\n\u003cli\u003eOlaf Alfred Hoffstad's 1899 Norwegian botanical plate — florets, achène, pappus, and floral diagram in the scientific precision of Scandinavian botanical illustration\u003c\/li\u003e\n\u003cli\u003eThe most democratic flower in the world celebrated with the devotion it deserves — from taproot to seed head, from golden bloom to white globe\u003c\/li\u003e\n\u003cli\u003eThe perfect companion for botanical field notes, wildflower observation logs, nature journaling, or daily reflections inspired by the extraordinary resilience of the common dandelion\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eProduct Details:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Hardcover lined journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 perforated lined pages for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.5 × 8.5 inches\u003c\/li\u003e\n\u003cli\u003eWeight: Approximately 400g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBotanists, wildflower enthusiasts, and herbalists\u003c\/li\u003e\n\u003cli\u003eNordic design and Scandinavian botanical illustration collectors\u003c\/li\u003e\n\u003cli\u003eForagers and admirers of edible and medicinal plants\u003c\/li\u003e\n\u003cli\u003eGift for anyone captivated by the beauty, resilience, and extraordinary engineering of the common dandelion\u003c\/li\u003e\n\u003cli\u003eStudents and researchers of the history of Nordic botanical education and Scandinavian natural history illustration\u003c\/li\u003e\n\u003cli\u003eWriters and creatives inspired by the democratic beauty and quiet persistence of the world's most overlooked flower\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cem\u003eCarry the extraordinary resilience of the most democratic flower in the world — where Masalin's Finnish poster and Hoffstad's Norwegian plate gave \u003cem\u003eTaraxacum officinale\u003c\/em\u003e the scientific and artistic portrait it has always deserved.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEU representative:\u003c\/strong\u003e HONSON VENTURES LIMITED, gpsr@honsonventures.com, 3, Gnaftis House flat 102, Limassol, Mesa Geitonia, 4003, CY\u003cbr\u003e\u003cstrong\u003eProduct information:\u003c\/strong\u003e Generic brand, 2 year warranty in EU and Northern Ireland as per Directive 1999\/44\/EC\u003cbr\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e Use a soft, clean and dry cloth to gently brush any dust or dirt off from the center of book outwards.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62880199606641,"sku":"40483407747808584326","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Dandelion_Journal_Front_Cover.jpg?v=1770668503"},{"product_id":"forget-me-not-flowers-hardcover-journal-matte-floral-notebook","title":"Forget Me Not Journal — Pierre-Joseph Redouté 1827 Myosotis Scorpioides \u0026 Heliotropium Arborescens Choix Des Plus Belles Fleurs Paris","description":"\u003cp\u003e\u003cem\u003eCarry the delicate beauty of remembrance — when Pierre-Joseph Redouté gave the forget-me-not and the heliotrope their most exquisite botanical portraits, and the language of flowers transformed the garden into a vocabulary of love, loyalty, and longing.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003ePierre-Joseph Redouté (1759–1840) — court artist to Marie Antoinette and Empress Joséphine, and the artist universally known as “le Raphaël des fleurs” — spent his career perfecting a stipple engraving technique of extraordinary delicacy that could capture the translucency of petals, the texture of leaves, and the subtle gradations of color with a fidelity no previous botanical illustrator had achieved. His masterwork, \u003cem\u003eChoix des plus belles fleurs\u003c\/em\u003e (1827–1833), published in Paris in 144 hand-colored stipple engravings, represents the summit of French botanical illustration. This distinguished hardcover journal presents two of its most beloved plates: Redouté's forget-me-not on the front, and his heliotrope on the back.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFront Cover — Myosotis scorpioides, Le ne m'oublie pas, Pierre-Joseph Redouté, Choix des plus belles fleurs, 1827:\u003c\/strong\u003e\u003cbr\u003eThe front cover presents Redouté's plate of \u003cem\u003eMyosotis scorpioides\u003c\/em\u003e — the forget-me-not, the \u003cem\u003ene m'oublie pas\u003c\/em\u003e, the flower whose name in every European language is a plea for remembrance. The small blue blossoms with their yellow centers are rendered with the stipple engraving technique at its most delicate, the curling scorpioid cyme of the stem captured with botanical accuracy. In the Victorian language of flowers — the \u003cem\u003efloriographie\u003c\/em\u003e that transformed the garden into a vocabulary of sentiment — the forget-me-not meant true love, loyalty, and the plea “do not forget me” that lovers, friends, and the dying have whispered to those they leave behind.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack Cover — Heliotropium arborescens, Héliotrope du Pérou, Pierre-Joseph Redouté, Choix des plus belles fleurs, 1827:\u003c\/strong\u003e\u003cbr\u003eThe back cover presents Redouté's plate of \u003cem\u003eHeliotropium arborescens\u003c\/em\u003e — the garden heliotrope, native to Peru, whose clusters of tiny mauve-purple flowers carry one of the most intoxicating fragrances in the garden: a warm, sweet scent of vanilla and cherry that made it one of the most beloved plants in 19th-century French and English gardens. In the language of flowers, the heliotrope symbolized devotion — its name derived from the Greek for “sun-turning,” the plant that always faces the light, as the devoted heart always turns toward its beloved.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy This Journal Inspires:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePierre-Joseph Redouté's \u003cem\u003eMyosotis scorpioides\u003c\/em\u003e from \u003cem\u003eChoix des plus belles fleurs\u003c\/em\u003e (1827) — the forget-me-not in the most exquisite stipple engraving technique ever applied to botanical illustration\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eHeliotropium arborescens\u003c\/em\u003e, the fragrant \u003cem\u003ehéliotrope du Pérou\u003c\/em\u003e — devotion and the intoxicating vanilla-cherry scent of the 19th-century French garden\u003c\/li\u003e\n\u003cli\u003eThe language of flowers — remembrance, loyalty, and devotion celebrated through Redouté's most beloved plates\u003c\/li\u003e\n\u003cli\u003eThe perfect companion for love letters, memory keeping, garden journaling, or daily reflections inspired by the delicate beauty of Redouté's floral world\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eProduct Details:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Hardcover lined journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 perforated lined pages for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.5 × 8.5 inches\u003c\/li\u003e\n\u003cli\u003eWeight: Approximately 400g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBotanical art and Redouté collectors\u003c\/li\u003e\n\u003cli\u003eForget-me-not and heliotrope enthusiasts and garden lovers\u003c\/li\u003e\n\u003cli\u003eFrench botanical illustration and Victorian flower language admirers\u003c\/li\u003e\n\u003cli\u003eGift for anyone captivated by the beauty, sentiment, and artistry of Redouté's floral world\u003c\/li\u003e\n\u003cli\u003eMemory keepers, letter writers, and lovers of romantic correspondence\u003c\/li\u003e\n\u003cli\u003eWriters and poets inspired by the language of flowers and the tender emotions of the 19th-century garden\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cem\u003eCarry the delicate beauty of remembrance — where Redouté's stipple engraving needle gave the forget-me-not and the heliotrope the portraits they have always deserved, and the language of flowers found its most beautiful expression in the hands of “le Raphaël des fleurs.”\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEU representative:\u003c\/strong\u003e HONSON VENTURES LIMITED, gpsr@honsonventures.com, 3, Gnaftis House flat 102, Limassol, Mesa Geitonia, 4003, CY\u003cbr\u003e\u003cstrong\u003eProduct information:\u003c\/strong\u003e Generic brand, 2 year warranty in EU and Northern Ireland as per Directive 1999\/44\/EC\u003cbr\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e Use a soft, clean and dry cloth to gently brush any dust or dirt off from the center of book outwards.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62880200884593,"sku":"28929158807041044289","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Forget_Me_Not_Journal_Front_Cover.jpg?v=1770675810"},{"product_id":"butterflies-plants-hardcover-journal-matte-botanical-notebook","title":"Butterfly Journal — Max Richter 1939 Swedish Insekter Skolplansch","description":"\u003cp\u003e\u003cem\u003eA hardcover journal with covers illustrated with Max Richter's 1939 Swedish school butterfly charts — the Insekter I \u0026amp; II Skolplansch, published by Norstedts Stockholm.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: A5 (5.83 × 8.27 in \/ 14.8 × 21 cm)\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets)\u003c\/li\u003e\n\u003cli\u003ePerforated pages — tear out cleanly without damaging the binding\u003c\/li\u003e\n\u003cli\u003ePaper weight: 90 gsm, suitable for fountain pens and pencils\u003c\/li\u003e\n\u003cli\u003eHardcover with matte finish, casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eWeight: 400 g (14.1 oz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eButterfly enthusiasts and lepidopterists\u003c\/li\u003e\n\u003cli\u003eFans of vintage scientific illustration\u003c\/li\u003e\n\u003cli\u003eNature journaling and field notes\u003c\/li\u003e\n\u003cli\u003eEveryday writing and daily planning\u003c\/li\u003e\n\u003cli\u003eThoughtful gifts for nature and science lovers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003eEU representative:\u003c\/strong\u003e HONSON VENTURES LIMITED, gpsr@honsonventures.com, 3, Gnaftis House flat 102, Limassol, Mesa Geitonia, 4003, CY\u003cbr\u003e\n\u003cstrong\u003eProduct information:\u003c\/strong\u003e Generic brand, 2 year warranty in EU and Northern Ireland as per Directive 1999\/44\/EC\u003cbr\u003e\n\u003cstrong\u003eCare instructions:\u003c\/strong\u003e Use a soft, clean and dry cloth to gently brush any dust or dirt off from the center of book outwards.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62880237912433,"sku":"25382410081504370032","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Swedish_butterfly_journal_with_Max_Richter_1939_Insekter_I_skolplansch_cover.jpg?v=1770838261"},{"product_id":"vegetables-hardcover-journal-matte-vegetable-pattern-notebook","title":"Kitchen Garden Journal — Max Richter 1936 Köksväxter Skolplansch","description":"\u003cp\u003e\u003cem\u003eCarry the joy of the kitchen garden — when Max Richter's 1936 Swedish school posters gave the root vegetables and brassicas of the Nordic kitchen garden their most beautiful educational portraits, and generations of Swedish schoolchildren learned to love the carrot, the turnip, and the cauliflower through the clarity and color of the skolplansch.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe front cover presents Köksväxter I (Bengtson, Stockholm, 1936) — a comprehensive chart of root vegetables: carrots, parsnips, beets, radishes, leeks, and onions, each depicted with above-ground foliage and below-ground structure in the cross-sectional style that made the skolplansch such an effective teaching tool. The back cover presents Köksväxter II (Norstedt, Stockholm, 1936) — documenting the Brassicaceae family: cauliflower, cabbage, Brussels sprouts, kale, and kohlrabi, rendered with the scientific precision and visual directness that defined Nordic botanical education in the 1930s.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Details:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover journal with matte laminated full-wrap cover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Casewrap sewn binding that lays flat and flexes for comfortable writing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 5.5 × 8.5 inches, lightweight and portable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 0.1 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e Max Richter Köksväxter I \u0026amp; II full-wrap with matte finish; small 0.5\"×0.5\" production barcode on back\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVegetable gardeners and kitchen garden enthusiasts documenting planting schedules and harvests\u003c\/li\u003e\n\u003cli\u003eSwedish heritage and Scandinavian design lovers\u003c\/li\u003e\n\u003cli\u003eVintage educational chart and skolplansch collectors\u003c\/li\u003e\n\u003cli\u003eGift for anyone captivated by the beauty, tradition, and joy of growing food\u003c\/li\u003e\n\u003cli\u003eStudents and researchers of Scandinavian botanical education and food culture\u003c\/li\u003e\n\u003cli\u003eCooks, foragers, and food writers inspired by the Nordic kitchen garden tradition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDiscover the deep history of the Nordic kitchen garden in our blog post: \u003ca href=\"https:\/\/lebonjournal.com\/blogs\/new-old-time\/the-nordic-kitchen-garden-a-history-of-growing-food-in-the-north\" target=\"_blank\" rel=\"noopener\"\u003eThe Nordic Kitchen Garden: A History of Growing Food in the North\u003c\/a\u003e.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62880239583601,"sku":"18156724289294099877","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Max_Richter_1936_K_ksv_xter_kitchen_garden_journal.png?v=1776263899"},{"product_id":"camellia-japonica-hardcover-journal-matte-floral-notebook-for-journaling-gift","title":"Camellia Journal — Clara Maria Pope 1819 Monograph Genus Camellia Samuel Curtis Botanical Plates","description":"\u003cp\u003e\u003cem\u003eCarry the refined elegance of the Regency garden — when Clara Maria Pope gave the camellias of Samuel Curtis's 1819 monograph their most exquisite hand-colored portraits, and the rarest flowers of the early 19th-century British hothouse found their place in the history of botanical art.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eSamuel Curtis (1779–1860) — botanist, publisher, and nephew of the great William Curtis of the \u003cem\u003eBotanical Magazine\u003c\/em\u003e — devoted his 1819 \u003cem\u003eMonograph on the Genus Camellia\u003c\/em\u003e to documenting the most beautiful camellia varieties then cultivated in Britain, commissioning Clara Maria Pope to produce hand-colored aquatint engravings of extraordinary delicacy. The camellia — introduced to Britain from China and Japan in the late 18th century — had become one of the most fashionable plants of the Regency era, its waxy, perfectly formed flowers making it the supreme ornament of the hothouse and conservatory. This distinguished hardcover journal presents two of the most celebrated plates: the Anemone-flowered Waratah and Middlemist's Red on the front, and the Single White, Red, and Sasanqua camellias on the back.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFront Cover — Anemone-Flowered Waratah \u0026amp; Rose-Colored Middlemist's Red, Clara Maria Pope, Samuel Curtis Monograph, 1819:\u003c\/strong\u003e\u003cbr\u003eThe front cover presents Pope's hand-colored aquatint of two of the most celebrated camellia varieties of the Regency era — the Anemone-flowered Waratah, with its extraordinary double flower of densely packed petals in deep crimson and white, and Middlemist's Red (\u003cem\u003eCamellia japonica\u003c\/em\u003e 'Middlemist'), one of the rarest flowers in the world. Brought to Britain from China by nurseryman John Middlemist around 1804, today only two known surviving specimens exist — one at Chiswick House Gardens in London, one in New Zealand. Pope's aquatint captures this extraordinary flower with the delicacy and precision that made her one of the finest botanical illustrators of the Regency period.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack Cover — Single White, Red \u0026amp; Sasanqua Camellia, Plate I, Clara Maria Pope, Samuel Curtis Monograph, 1819:\u003c\/strong\u003e\u003cbr\u003eThe back cover presents Pope's Plate I — documenting three foundational camellia varieties: the Single White (\u003cem\u003eCamellia japonica\u003c\/em\u003e 'Alba Simplex'), with its pure white petals and golden stamens; the Single Red, with its deep crimson simplicity; and the Sasanqua (\u003cem\u003eCamellia sasanqua\u003c\/em\u003e), the Japanese species whose smaller, more delicate flowers and fragrance distinguished it from the larger \u003cem\u003ejaponica\u003c\/em\u003e varieties. Together, the three varieties represent the full range of camellia form and color available to the Regency gardener — from the pure simplicity of the single white to the complex beauty of the anemone-flowered Waratah.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy This Journal Inspires:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eClara Maria Pope's hand-colored aquatints from Samuel Curtis's \u003cem\u003eMonograph on the Genus Camellia\u003c\/em\u003e (1819) — Regency botanical art at its most refined and beautiful\u003c\/li\u003e\n\u003cli\u003eMiddlemist's Red — one of only two surviving specimens in the world, documented by Pope with extraordinary delicacy and precision\u003c\/li\u003e\n\u003cli\u003eAnemone-flowered Waratah, Single White, Single Red, and Sasanqua — the full range of Regency camellia beauty in two plates\u003c\/li\u003e\n\u003cli\u003eThe perfect companion for garden journaling, botanical sketches, plant observation notes, or daily reflections inspired by the refined elegance of the Regency garden\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eProduct Details:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Hardcover lined journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 perforated lined pages for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.5 × 8.5 inches\u003c\/li\u003e\n\u003cli\u003eWeight: Approximately 400g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCamellia enthusiasts, gardeners, and botanical illustration collectors\u003c\/li\u003e\n\u003cli\u003eRegency-era art, history, and British horticulture admirers\u003c\/li\u003e\n\u003cli\u003eLovers of rare flowers and the history of plant introduction to Britain\u003c\/li\u003e\n\u003cli\u003eGift for anyone captivated by the beauty, rarity, and elegance of the camellia\u003c\/li\u003e\n\u003cli\u003eStudents and researchers of the history of Regency botanical illustration and British horticultural history\u003c\/li\u003e\n\u003cli\u003eWriters and creatives inspired by the refined world of the Regency hothouse and conservatory\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cem\u003eCarry the refined elegance of the Regency garden — where Pope's aquatint needle and Curtis's monograph press gave Middlemist's Red and the Waratah, the Sasanqua and the Single White, the portraits they have always deserved.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEU representative:\u003c\/strong\u003e HONSON VENTURES LIMITED, gpsr@honsonventures.com, 3, Gnaftis House flat 102, Limassol, Mesa Geitonia, 4003, CY\u003cbr\u003e\u003cstrong\u003eProduct information:\u003c\/strong\u003e Generic brand, 2 year warranty in EU and Northern Ireland as per Directive 1999\/44\/EC\u003cbr\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e Use a soft, clean and dry cloth to gently brush any dust or dirt off from the center of book outwards.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62890407035249,"sku":"16314953324364191470","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Camellia_Journal_Clara_Maria_Pope_1819_Monograph_Genus_Camellia.jpg?v=1770843876"},{"product_id":"botanical-sphagnum-moss-hardcover-journal-matte-notebook","title":"Sphagnum Moss Journal — Gottlieb von Koch 1909 Jung-Koch-Quentell Educational Wall Charts Botanical Illustration","description":"\u003cp\u003e\u003cem\u003eIn 1909, a professor of botany at the Technische Hochschule Darmstadt produced a series of wall charts that would hang in German classrooms for decades. Gottlieb von Koch's Jung-Koch-Quentell plates brought the microscopic world of plant anatomy into focus against a dark background that made science look like art — and made the smallest plants in the bog feel as monumental as any cathedral.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe front cover reproduces Gottlieb von Koch's Sphagnum acutifolium plate from the Jung-Koch-Quentell Wandtafeln series (Friedrich Quentell \u0026amp; Heinrich Jung, 1909), Leipzig — pointed bog moss documented with microscopic precision: hyaline water-reservoir cells, archegonium, and sporophyte anatomy rendered against the series' characteristic dark background that transforms botanical diagrams into compositions of striking scientific beauty. The back cover presents the companion plate of Hippuris vulgaris (Mare's-tail), the aquatic plant of European wetlands, with its radial whorls, stem cross-section, and morphological details documented with the same pedagogical rigour of the Wilhelmine botanical education tradition.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 5.75 × 8 in (14.6 × 20.3 cm)\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets)\u003c\/li\u003e\n\u003cli\u003ePerforated pages — tear out cleanly without damaging the binding\u003c\/li\u003e\n\u003cli\u003ePaper weight: 100 gsm, suitable for fountain pens and pencils\u003c\/li\u003e\n\u003cli\u003eHardcover with matte finish, casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eWeight: 400 g (14.1 oz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBryologists and moss enthusiasts drawn to the German botanical tradition\u003c\/li\u003e\n\u003cli\u003eBog and wetland ecologists documenting field observations\u003c\/li\u003e\n\u003cli\u003eCollectors of vintage German educational wall charts and Wandtafeln\u003c\/li\u003e\n\u003cli\u003eLovers of early 20th-century scientific pedagogy and botanical illustration\u003c\/li\u003e\n\u003cli\u003eEveryday writing, field notes, and daily planning\u003c\/li\u003e\n\u003cli\u003eThoughtful gifts for botanists, ecologists, and nature lovers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRead more: \u003ca href=\"\/blogs\/new-old-time\/gottlieb-von-koch-jung-koch-quentell-1909-wandtafeln-botanical-education\"\u003eThe Wandtafeln: Gottlieb von Koch and the Botanical Pedagogy of Wilhelmine Germany\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":62890416832881,"sku":"18764381200026004492","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Gottlieb_von_Koch_Sphagnum_Moss_Journal_in_Botanical_Laboratory.png?v=1771276385"},{"product_id":"copy-of-forget-me-not-flowers-hardcover-journal-matte-floral-notebook","title":"Forget Me Not Journal — Emil Korsmo 1934-1938 Field Forget-me-not Small Bugloss Botanical Weed Plates","description":"\u003cp\u003e\u003cem\u003eCarry the quiet beauty of the field forget-me-not — when Emil Korsmo's 1934–1938 botanical weed plates gave \u003cem\u003eMyosotis arvensis\u003c\/em\u003e and \u003cem\u003eAnchusa arvensis\u003c\/em\u003e the most scientifically rigorous and visually precise portraits in the history of Scandinavian agricultural botany.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eEmil Korsmo (1863–1953) — Norwegian agricultural scientist and professor at the Agricultural University of Norway — devoted decades to the systematic documentation of the weeds of Scandinavian agriculture, producing botanical weed plates of extraordinary scientific precision and visual beauty. His \u003cem\u003eUnkrauttafeln\u003c\/em\u003e (Weed Charts), published between 1934 and 1938 with illustrations by Knut Quelprud and Sara Mørk, document each weed species with complete botanical detail — root systems, stem structures, leaf morphology, flower anatomy, and seed dispersal mechanisms — designed as both scientific reference and educational wall charts. Plate LXVIII documents two members of the Boraginaceae family: the Field Forget-me-not (\u003cem\u003eMyosotis arvensis\u003c\/em\u003e) on the front, and the Small Bugloss (\u003cem\u003eAnchusa arvensis\u003c\/em\u003e) on the back.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFront Cover — Field Forget-me-not, Myosotis arvensis, Plate LXVIII, Emil Korsmo, 1934–1938:\u003c\/strong\u003e\u003cbr\u003eThe front cover presents Korsmo's botanical documentation of \u003cem\u003eMyosotis arvensis\u003c\/em\u003e — the Field Forget-me-not, a small annual or biennial of arable fields and disturbed ground whose tiny sky-blue flowers with yellow eyes are among the most delicate and beautiful of all European wildflowers. The plate documents the complete botanical structure — from the fibrous root system to the characteristic scorpioid cyme of the flowering stem, from the hairy leaves to the small nutlets that carry the seeds — with the precision of a botanist who understood that the most important thing in agricultural weed science is to know your subject completely, from root to seed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack Cover — Small Bugloss, Anchusa arvensis, Plate LXVIII, Emil Korsmo, 1934–1938:\u003c\/strong\u003e\u003cbr\u003eThe back cover presents Korsmo's documentation of \u003cem\u003eAnchusa arvensis\u003c\/em\u003e — the Small Bugloss, a bristly annual of sandy arable fields whose small blue flowers with a distinctive white throat make it one of the most charming members of the Boraginaceae family. The plate documents the complete botanical structure — deep taproot, bristly stem and leaves, characteristic curved flowering stem, and four-lobed nutlets. Together, the two Boraginaceae species of Plate LXVIII offer a complete portrait of the blue-flowered wildflowers of the Norwegian agricultural landscape.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy This Journal Inspires:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eEmil Korsmo's Plate LXVIII from the \u003cem\u003eUnkrauttafeln\u003c\/em\u003e (1934–1938) — Field Forget-me-not and Small Bugloss in the most scientifically rigorous botanical weed documentation in Scandinavian history\u003c\/li\u003e\n\u003cli\u003eIllustrations by Knut Quelprud and Sara Mørk — complete root systems, flower anatomy, and seed dispersal mechanisms with extraordinary precision\u003c\/li\u003e\n\u003cli\u003eBoraginaceae family — \u003cem\u003eMyosotis arvensis\u003c\/em\u003e and \u003cem\u003eAnchusa arvensis\u003c\/em\u003e, the blue-flowered wildflowers of the Norwegian agricultural landscape\u003c\/li\u003e\n\u003cli\u003eThe perfect companion for botanical field notes, wildflower observation logs, nature journaling, or daily reflections inspired by the quiet beauty of the field forget-me-not\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eProduct Details:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Hardcover lined journal\u003c\/li\u003e\n\u003cli\u003ePages: 150 perforated lined pages for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eDimensions: 5.5 × 8.5 inches\u003c\/li\u003e\n\u003cli\u003eWeight: Approximately 400g\u003c\/li\u003e\n\u003cli\u003eCover: Matte laminated full-wrap print\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBotanists, wildflower enthusiasts, and field naturalists\u003c\/li\u003e\n\u003cli\u003eScandinavian botanical history and agricultural science collectors\u003c\/li\u003e\n\u003cli\u003eForagers and admirers of the wildflowers of the European agricultural landscape\u003c\/li\u003e\n\u003cli\u003eGift for anyone captivated by the quiet beauty and botanical complexity of the field forget-me-not\u003c\/li\u003e\n\u003cli\u003eStudents and researchers of the history of Scandinavian botany and agricultural weed science\u003c\/li\u003e\n\u003cli\u003eWriters and creatives inspired by the devotion, precision, and beauty of Emil Korsmo's life's work\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cem\u003eCarry the quiet beauty of the field forget-me-not — where Korsmo's botanical needle and Quelprud and Mørk's artistic precision gave \u003cem\u003eMyosotis arvensis\u003c\/em\u003e and \u003cem\u003eAnchusa arvensis\u003c\/em\u003e the scientific portraits they have always deserved.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEU representative:\u003c\/strong\u003e HONSON VENTURES LIMITED, gpsr@honsonventures.com, 3, Gnaftis House flat 102, Limassol, Mesa Geitonia, 4003, CY\u003cbr\u003e\u003cstrong\u003eProduct information:\u003c\/strong\u003e Generic brand, 2 year warranty in EU and Northern Ireland as per Directive 1999\/44\/EC\u003cbr\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e Use a soft, clean and dry cloth to gently brush any dust or dirt off from the center of book outwards.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":63179064050033,"sku":"13180871909538589890","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Forget_Me_Not_Journal_Emil_Korsmo_1934-1938_Field_Forget-me-not_Small_Bugloss.jpg?v=1771004574"},{"product_id":"heritage-fruits-mini-book-wendel-1879","title":"Mini Book: Heritage Fruits – Wendel 1879 Botanical Collection","description":"\u003cp\u003e\u003cem\u003eIn 1879, Abraham Jacobus Wendel published Nederlandsche flora en pomona — a meticulous catalog of Dutch fruits rendered with the precision of science and the sensibility of a painter. Wendel (1826–1915) worked at the precise moment when botanical illustration had reached its technical peak: chromolithography allowed for faithful colour reproduction, horticultural science demanded accuracy, and the tradition of Dutch still life painting lent the genre an aesthetic ambition that pure taxonomy never could. The result was a body of work that documents not just fruit varieties, but a way of seeing the natural world that photography would soon make obsolete.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe front cover features Wendel’s characteristic pomological style — fruit specimens rendered with attention to surface texture, weight, and the particular quality of light on skin and flesh, drawn from the Nederlandsche flora en pomona (1879), a landmark of 19th-century Dutch botanical illustration. The twenty interior pages present a curated selection of heritage fruit engravings from the same volume, each one a portrait of a variety that may no longer exist in commercial cultivation — preserved here in the compact, tactile format of a collectible board book.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 6 × 6 in (15.2 × 15.2 cm)\u003c\/li\u003e\n\u003cli\u003ePages: 20 chipboard pages, 1\/16” thick\u003c\/li\u003e\n\u003cli\u003eSurface: Matte laminate finish — reduces glare, resists fingerprints\u003c\/li\u003e\n\u003cli\u003eCorners: Rounded for safe everyday handling\u003c\/li\u003e\n\u003cli\u003eConstruction: Ultra-durable board book format\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBotanical art enthusiasts and collectors of heritage illustration\u003c\/li\u003e\n\u003cli\u003eLovers of Dutch masters and 19th-century pomological art\u003c\/li\u003e\n\u003cli\u003eAnyone building a curated home library or gallery wall\u003c\/li\u003e\n\u003cli\u003eCoffee table book collectors seeking unique, compact pieces\u003c\/li\u003e\n\u003cli\u003eHosts who appreciate conversation-worthy décor\u003c\/li\u003e\n\u003cli\u003eThoughtful gifts for anyone who values art, history, and craftsmanship\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRead more: \u003ca href=\"\/blogs\/new-old-time\/wendel-1879-nederlandsche-flora-pomona-botanical-illustration\"\u003eThe Last Fruits: Abraham Jacobus Wendel and the Art of Pomological Illustration\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"6'' x 6'' \/ With Laminate \/ Chipboard","offer_id":63192129536369,"sku":"26161849421149272624","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/heritage-fruits-mini-book-standing-elegant-tea-setting.png?v=1771350952"},{"product_id":"botanical-daffodil-hardcover-journal-vintage-floral-sketch-notebook","title":"Botanical Journal — Nederlandsch Bloemwerk 1794 Dutch Narcissus \u0026 Crocus Engravings","description":"\u003cp\u003e\u003cem\u003eCarry the elegance of Dutch Golden Age horticulture — when \u003cem\u003eNederlandsch Bloemwerk\u003c\/em\u003e captured 18th-century botanical artistry in hand-colored copperplate engravings, and the Narcissus, the Saffron Crocus, and the Cornflower were given the precise and beautiful portraits that only the finest Dutch botanical publishing could produce.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eThis hardcover journal celebrates two exquisite plates from the 1794 \u003cem\u003eNederlandsch Bloemwerk\u003c\/em\u003e (Dutch Flower Arrangements), published by J.B. Elwe in Amsterdam. Created by a “company of scholars,” this 54-plate masterwork showcased cultivated flowers at the height of Dutch botanical expertise. The front cover features Plate XXVII, a hand-colored copperplate engraving based on Nicolas Robert (1614–1685), the renowned French flower painter whose \u003cem\u003eVariae ac multiformum species\u003c\/em\u003e set the standard for botanical illustration. The back cover presents a complementary plate illustrated by H.L. Myling after P.T. van Brussel.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFront Cover — Plate XXVII: Three Narcissus Varieties \u0026amp; Comma Butterfly, Nicolas Robert, Nederlandsch Bloemwerk, J.B. Elwe Amsterdam, 1794:\u003c\/strong\u003e\u003cbr\u003eThe front cover presents three distinct daffodil species identified by Latin nomenclature: \u003cem\u003eNarcissus maximus pallidus\u003c\/em\u003e (pale large narcissus), \u003cem\u003ePseudonarcissus hispanicus\u003c\/em\u003e (Spanish daffodil), and \u003cem\u003eNarcissus d'Argiers\u003c\/em\u003e. Each bloom captures the delicate trumpet coronas, reflexed petals, and color gradations that distinguished cultivated varieties in 18th-century Dutch gardens. A Comma butterfly with its characteristic ragged wing edges rests among the stems, connecting botanical study with entomological observation in the tradition of the great Dutch natural history illustrators.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack Cover — Cornflower, Autumn Crocus \u0026amp; Saffron Crocus with Insect Studies, H.L. Myling after P.T. van Brussel, Nederlandsch Bloemwerk, 1794:\u003c\/strong\u003e\u003cbr\u003eThe back cover features three botanically diverse species with insect studies. The blue Cornflower (\u003cem\u003eCentaurea cyanus\u003c\/em\u003e), labeled \u003cem\u003eCyanus Segetum flore Carneo\u003c\/em\u003e, blooms at top left. The centerpiece Autumn Crocus (\u003cem\u003eColchicum\u003c\/em\u003e species), inscribed \u003cem\u003eColchicum pleno flore clus\u003c\/em\u003e, displays multiple layered petals in a double-flowered form of extraordinary beauty. The Saffron Crocus (\u003cem\u003eCrocus sativus\u003c\/em\u003e) appears as a closed yellowish bud, representing the economically vital spice source that had made the crocus one of the most commercially important plants in European history. A caterpillar and bee provide ecological context, completing a plate that is simultaneously a botanical reference, an entomological study, and a work of art.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy This Journal Inspires:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHand-colored copperplate engravings from 1794 \u003cem\u003eNederlandsch Bloemwerk\u003c\/em\u003e — Dutch horticultural supremacy at its most beautiful\u003c\/li\u003e\n\u003cli\u003ePlate XXVII based on Nicolas Robert (1614–1685) — three Narcissus varieties with Comma butterfly from J.B. Elwe's 54-plate Amsterdam masterwork\u003c\/li\u003e\n\u003cli\u003eH.L. 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Elwe's Amsterdam press gave the flowers of the Dutch Golden Age the portraits they have always deserved.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEU representative:\u003c\/strong\u003e HONSON VENTURES LIMITED, gpsr@honsonventures.com, 3, Gnaftis House flat 102, Limassol, Mesa Geitonia, 4003, CY\u003cbr\u003e\u003cstrong\u003eProduct information:\u003c\/strong\u003e Generic brand, 2 year warranty in EU and Northern Ireland as per Directive 1999\/44\/EC\u003cbr\u003e\u003cstrong\u003eCare instructions:\u003c\/strong\u003e Use a soft, clean and dry cloth to gently brush any dust or dirt off from the center of book outwards.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":63240299086193,"sku":"30842395004790798392","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/botanical_journal_with_1794_Nederlandsch_Bloemwerk_hand-colored_Narcissus_Crocus_engravings.jpg?v=1772138250"},{"product_id":"hardcover-journal-vintage-wildflower-botanical-notebook-matte","title":"Wildflower Journal — Ellen W. 1835 Cut-Paper Flowers Crepis Rubra Asteraceae","description":"\u003cp\u003e\u003cem\u003eScissors, coloured paper, and a black background — when Ellen W. created her Album of Cut-Paper Flowers in Great Britain in 1835, she transformed British wildflowers into intricate botanical compositions that are simultaneously scientific record and decorative art, one of the most intimate and painstaking techniques of the early Victorian era.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe front cover reproduces Plate 04 — yellow, blue, and pink wildflowers tied with a small ribbon against a stark black background, each bloom individually cut and arranged by hand. 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Each file is 5287 × 7041 pixels, 96 DPI, JPG format, ready for printing, framing, or design projects. Instant digital download upon purchase.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat You Receive:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFiles:\u003c\/strong\u003e 6 high-resolution archival JPG images (5287 × 7041 px, 96 DPI)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlates:\u003c\/strong\u003e Sea Anemones, Sea Squirts, Ferns, Mosses, Orchids, Hummingbirds\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Instant digital download — no physical product shipped\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLicense:\u003c\/strong\u003e Public domain images for personal use\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrint quality:\u003c\/strong\u003e Museum-quality resolution suitable for large-format printing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Ernst Haeckel, \u003cem\u003eKunstformen der Natur\u003c\/em\u003e, Bibliographisches Institut, Leipzig, 1899–1904\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGraphic designers and illustrators creating Art Nouveau-inspired branding and editorial projects\u003c\/li\u003e\n\u003cli\u003eScientists and educators teaching biology, natural history, and the history of scientific illustration\u003c\/li\u003e\n\u003cli\u003eInterior designers and decorators printing museum-quality botanical and zoological art\u003c\/li\u003e\n\u003cli\u003eArchitects and product designers drawing inspiration from Haeckel's organic forms and natural patterns\u003c\/li\u003e\n\u003cli\u003eArt collectors and enthusiasts building a digital archive of iconic 19th-century scientific illustration\u003c\/li\u003e\n\u003cli\u003eAnyone captivated by the hidden symmetry of the natural world and the legacy of Ernst Haeckel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDiscover the philosophy behind \u003cem\u003eKunstformen der Natur\u003c\/em\u003e — Haeckel's conviction that beauty and scientific truth are inseparable — in our blog post: \u003ca href=\"https:\/\/lebonjournal.com\/blogs\/new-old-time\/ernst-haeckel-beauty-and-truth-in-nature\" target=\"_blank\" rel=\"noopener\"\u003eErnst Haeckel: Beauty and Truth in Nature\u003c\/a\u003e.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Default Title","offer_id":63292286075249,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Ernst_Haeckel_Art_Forms_in_Nature_Collection_Mosaic.jpg?v=1773341610"},{"product_id":"floral-vintage-seed-card-hardcover-journal-pink-botanical-notebook","title":"Garden Journal — The Florist Garden Miscellany 1849 James Andrews Victorian Lithographs Roses Camellias Dahlias","description":"\u003cp\u003e\u003cem\u003eCarry the spirit of Victorian horticulture—where The Florist and Garden Miscellany 1849 celebrates garden specimens through James Andrews' hand-colored lithographs and 19th-century floriculture.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis hardcover journal celebrates Victorian horticulture through \u003cem\u003eThe Florist and Garden Miscellany\u003c\/em\u003e, published in 1849. This renowned horticultural publication featured \"beautiful and appropriate\" hand-colored stone lithographs by James Andrews from 1857, documenting the finest garden specimens of the Victorian era. The front cover showcases 16 distinct botanical specimens in a grid: \"Chellaston Beauty\" Tulip, Azalea indica varieties, Bourbon Rose 'Baron J.B. Gonella', Pansies (Pelargoniums), pink and white Gladiolus, striped Petunia hybrids, Alpine Auricula (Primula), Lycaste skinneri Orchid, vibrant Pansies from La Belgique Horticole, rose-flowered Peach blossoms (Prunus persica), Camellias \"Duchess of Sutherland\", large-headed Chrysanthemums, deep red Hybrid Perpetual Rose, Pompone Chrysanthemums, striped Verbena hybrids, and Bougainvillea speciosa. The back cover presents floral varieties from 1857-1883: Erica Spenceriana, Calceolaria Gem, Isabella Gray tea rose, Bouvardia Oriana, Camellia varieties, Chinese Azalea Queen Victoria, Pelargonium Fancy and Princess-Royal, Dahlia Jupiter and Alexandra, Chrysanthemum Golden Queen and Prince Albert, Embothrium coccineum Chilean Firebush, and Swainsona formosa Sturt's Desert Pea.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe Florist and Garden Miscellany \u0026amp; Victorian Floriculture:\u003c\/strong\u003e \u003cem\u003eThe Florist and Garden Miscellany\u003c\/em\u003e represents the pinnacle of Victorian horticultural publishing, documenting the finest garden specimens through James Andrews' exquisite hand-colored stone lithographs. The 1849 publication served both practical and aesthetic purposes, providing gardeners with visual references for cultivating prized varieties while celebrating the artistry of botanical illustration. Andrews' lithographs from 1857 captured the vibrant colors and delicate details of roses, camellias, dahlias, chrysanthemums, tulips, orchids, azaleas, and exotic specimens. The Victorian era saw tremendous advances in plant breeding and cultivation, with new varieties like Bourbon roses, hybrid perpetual roses, and striped petunias captivating gardeners. The publication documented both European favorites and exotic specimens like Chilean Firebush and Australian Sturt's Desert Pea, reflecting the global reach of Victorian botanical exploration and horticultural exchange.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhy This Journal Inspires:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Florist and Garden Miscellany 1849 hand-colored stone lithographs by James Andrews\u003c\/li\u003e\n\u003cli\u003e30+ garden specimens: Roses, Camellias, Dahlias, Chrysanthemums, Tulips, Orchids, Azaleas, Pelargoniums\u003c\/li\u003e\n\u003cli\u003eVictorian floriculture celebrating Bourbon roses, Alpine auricula, and exotic specimens\u003c\/li\u003e\n\u003cli\u003e19th-century horticultural artistry documenting prized garden varieties and botanical beauty\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: Hardcover journal with matte laminated cover featuring full wraparound 1849 botanical lithographs\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets) with perforations for easy removal\u003c\/li\u003e\n\u003cli\u003eBinding: Casewrap sewn binding that opens flat and flexes with daily use\u003c\/li\u003e\n\u003cli\u003eDimensions: Standard journal size for garden notes and horticultural observations\u003c\/li\u003e\n\u003cli\u003eWeight: 0.1 kg (lightweight and portable)\u003c\/li\u003e\n\u003cli\u003eCover: Vibrant hand-colored lithograph reproduction with matte finish; small 0.5\"x0.5\" production barcode on back\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGardeners documenting rose cultivation, dahlia varieties, and Victorian garden specimens\u003c\/li\u003e\n\u003cli\u003eHorticulture enthusiasts celebrating James Andrews' lithographic legacy\u003c\/li\u003e\n\u003cli\u003eFlower lovers recording camellia blooms, chrysanthemum shows, and orchid collections\u003c\/li\u003e\n\u003cli\u003eVictorian botany admirers appreciating 19th-century floriculture and plant breeding\u003c\/li\u003e\n\u003cli\u003eGift-givers for garden lovers, botanical illustration collectors, and floriculture historians\u003c\/li\u003e\n\u003cli\u003eGarden journalers celebrating tulips, azaleas, pelargoniums, and exotic botanical specimens\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eCarry the legacy of Victorian horticulture—where The Florist and Garden Miscellany 1849 transforms garden specimens into timeless hand-colored lithographs celebrating James Andrews' artistry and 19th-century floriculture.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eEU representative\u003c\/strong\u003e: HONSON VENTURES LIMITED, gpsr@honsonventures.com, 3, Gnaftis House flat 102, Limassol, Mesa Geitonia, 4003, CY\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct information\u003c\/strong\u003e: Generic brand, 2 year warranty in EU and Northern Ireland as per Directive 1999\/44\/EC\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e: Use a soft, clean and dry cloth to gently brush any dust or dirt off from the center of book outwards.\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":63295488033137,"sku":"10765833925631015794","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/Garden_journal_Florist_Garden_Miscellany_1849_James_Andrews_Victorian_lithographs_roses_camellias_dahlias.jpg?v=1773436919"},{"product_id":"mushroom-journal-dufour-1891-atlas-champignons","title":"Mushroom Journal — Léon Dufour 1891 Atlas Champignons","description":"\u003cp\u003e\u003cem\u003eFor most of human history, the mushroom occupied an ambiguous position in the natural world — neither plant nor animal, appearing overnight and vanishing as quickly, capable of nourishing or killing with equal indifference. It was not until the nineteenth century that mycology became a discipline in its own right, and that the illustrated atlas became the essential tool for anyone who wanted to know what they were picking. Léon Dufour's 1891 Atlas des champignons comestibles et vénéneux captured this moment at its peak.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eThe front cover reproduces Planche 46 from Dufour's atlas — three species of Coprinus, the ink caps, documented with the chromolithographic precision that made Victorian mycological illustration the standard reference for a generation of European foragers: Coprinus comatus (Shaggy Mane), prized edible that must be harvested before deliquescence begins; Coprinus micaceus (Mica Cap), its cap covered with glistening particles; and Coprinus congregatus (Grouped Inkcap), growing in dense clusters on buried wood. The back cover presents Planche 49 — three polypore species: Albatrellus confluens, Ganoderma lucidum (Reishi), the most celebrated medicinal mushroom in the world with its glossy varnished cap, and Coltricia perennis (Tiger's Eye), distinguished by its concentric rings of colour. Both plates are presented on a contemporary navy background that gives the Victorian illustrations a new and striking visual life.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 5.75 × 8 in (14.6 × 20.3 cm)\u003c\/li\u003e\n\u003cli\u003ePages: 150 lined pages (75 sheets)\u003c\/li\u003e\n\u003cli\u003ePerforated pages — tear out cleanly without damaging the binding\u003c\/li\u003e\n\u003cli\u003ePaper weight: 90 gsm, suitable for fountain pens and pencils\u003c\/li\u003e\n\u003cli\u003eHardcover with matte finish, casewrap sewn binding\u003c\/li\u003e\n\u003cli\u003eWeight: 400 g (14.1 oz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMushroom foragers documenting edible species and fungal identification\u003c\/li\u003e\n\u003cli\u003eMycology enthusiasts celebrating Léon Dufour's naturalist legacy\u003c\/li\u003e\n\u003cli\u003eVictorian natural history collectors and admirers of 19th-century scientific illustration\u003c\/li\u003e\n\u003cli\u003eReishi and medicinal mushroom enthusiasts drawn to the history of fungal medicine\u003c\/li\u003e\n\u003cli\u003eNature journalers and field naturalists celebrating the science of the forest floor\u003c\/li\u003e\n\u003cli\u003eThoughtful gifts for mushroom lovers, foragers, and botanical illustration collectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eRead more: \u003ca href=\"\/blogs\/new-old-time\/victorian-mycology-leon-dufour-1891-atlas-champignons-mushroom-foraging-science\"\u003eThe Mushroom Hunters: Victorian Mycology and the Science of the Forest Floor\u003c\/a\u003e\u003c\/p\u003e","brand":"LeBonJournal","offers":[{"title":"Journal","offer_id":63295667110257,"sku":"54144971019136526988","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/files\/mushroom-journal-at-forager-table.png?v=1773439202"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/5367\/0769\/collections\/flora-8953693.jpg?v=1772307268","url":"https:\/\/lebonjournal.com\/collections\/flora.oembed?page=3","provider":"LeBonJournal","version":"1.0","type":"link"}